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Man working with a movie projector in a movie theater, 1958
Man working with a movie projector in a movie theater, 1958

A film, movie, or motion picture is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and sometimes feature other sensory stimuli.

Films are produced by recording people and objects with cameras or by creating them using animation techniques and special effects. They comprise a series of individual frames, but when these images are shown rapidly in succession, the illusion of motion is seen by the viewer. Flickering between frames is not noticeable due to an effect traditionally known as persistence of vision, and now more specifically known as flicker fusion, whereby the visual system processes a sufficiently fast succession of pictures and interruptions into a steady image of averaged brightness. (Full article...)

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Panggilan Darah (Indonesian for 'Call of Blood') is a 1941 film from the Dutch East Indies (now Indonesia) written and directed by Sutan Usman Karim and produced by Tjho Seng Han for Oriental Film. The black-and-white film starred Dhalia and Soerip as orphaned sisters trying to make a living in the colonial capital of Batavia (now Jakarta) before moving to Kudus to work at a clove cigarette factory.

Shot on location at an orphanage and two factories in central Java, Panggilan Darah was a modest commercial success in the Indies and Singapore. Its soundtrack, which featured nine kroncong songs, received popular acclaim, and the film's acting received critical praise. Despite this success, Oriental was unable to recoup its expenses, and merged into Multi Film soon afterwards. Panggilan Darah, which was screened as late as 1952, may now be lost. (Portal:Film/Featured content)

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Cinematographer Billy Bitzer with movie projector
Cinematographer Billy Bitzer with movie projector
Credit: Edward Lynch

A movie projector is an opto-mechanical device for displaying moving pictures by projecting them on a projection screen. Most of the optical and mechanical elements, except for the illumination and sound devices, are present in movie cameras.

Did you know...

  • ... that, during the 2012 Weezer Cruise, band members oversaw wedding vow renewals, a shuffleboard contest, a midnight movie screening, and a 1980s-themed prom?
  • ... that a popular romantic pairing from Doctor Who was later adapted into the show at the suggestion of lead actress Jodie Whittaker?
  • ... that the audience at the premiere of the film Viet Flakes unknowingly controlled the projection equipment through their physical responses to images of the Vietnam War?
  • ... that the opening scene of Yen and Ai-Lee was rewritten as a long take due to rain during filming?
  • ... that the PBS documentary One Person, One Vote? follows four U.S. presidential electors from the 2020 election, including a Kanye West elector?

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Poitier in 1968

Sidney Poitier (/ˈpwɑːtj/ PWAH-tyay; February 20, 1927 – January 6, 2022) was a Bahamian-American actor, film director, activist, and diplomat. In 1964, he was the first black actor and first Bahamian to win the Academy Award for Best Actor. Among his other accolades are two competitive Golden Globe Awards, a BAFTA Award and a Grammy Award, in addition to nominations for two Emmy Awards and a Tony Award. In 1999, he was ranked number 22 among the "American Film Institute's 100 Stars". Poitier was one of the last surviving stars from the Golden Age of Hollywood.

Poitier's family lived in the Bahamas, then still a Crown colony, but he was born in Miami, Florida, while they were visiting, which granted him U.S. citizenship. He grew up in the Bahamas, but moved back to Miami at age 15, and to New York City when he was 16. He joined the American Negro Theatre, gaining his breakthrough film role as a high school student in the film Blackboard Jungle (1955). Poitier gained fame for his leading roles in films such as The Defiant Ones (1958), for which he won the Silver Bear for Best Actor and became the first African American to be nominated for an Academy Award for Best Actor. In 1964, he won the Academy Award and the Golden Globe for Best Actor for Lilies of the Field (1963). (Full article...)

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Orson Welles
It seems to me that the great gift of the film form, to the director, is that we are not forced to think of the audience. In fact, it is impossible to think of our audience. If I write a play, I must inevitably be thinking in terms of Broadway or the West End. In other words, I must visualize the audience that will come in; its social class, its prejudices and so on. But with a film, we never think of the public at all, we simply make the film the same way you sit down and write a book, and hope that they will like it.

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