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Ballymun Flats

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Ballymun Flats
Joseph Plunkett tower with the Sillogue Road flats in the background.
Map
Interactive map of the Ballymun Flats area
General information
StatusDemolished
TypeResidential
Architectural style
Brutalist / modernist
LocationBallymun, Dublin, Ireland, Sandyhill Avenue, Sillogue Avenue, Shangan Avenue, Balbutcher Lane, Shangan Road.
Coordinates53°23′51″N 06°16′03″W / 53.39750°N 6.26750°W / 53.39750; -6.26750 (Ballymun Flats)
Construction started
1966
Completed
1969
Opening1969
Demolished2004–2015
OwnerDublin Corporation later Dublin City Council
Height
Height42 metres (138 ft) (tower block elements)
Technical details
Structural systemLowton-Cubitt steel frame and concrete
Floor count17
Design and construction
ArchitectDublin Corporation
Main contractorCubitt Haden Sisk consortium
References
[1][2]

The Ballymun Flats referred to a number of flats—including the seven Ballymun High-tower blocks—in Ballymun, Dublin, Ireland. Built rapidly[3] in the 1960s, there were 36 blocks in total, consisting of 7 fifteen-storey, 19 eight-storey, and 10 four-storey blocks. The complex was built in a Corbusian style known as towers in the park, which was popular in European and American cities in the mid-20th century.[4]

The 15-storey blocks actually had 17 storeys, including the entrance floor and a plant room on their roofs. Joseph Plunkett tower, named after one of the signatories of the Proclamation of the Irish Republic, was typical of the taller tower blocks. It was a 42-metre, 8,500-tonne building that housed 90 families in 30 three-, two-, and one-bedroom units.

The entire complex was demolished in the early 21st century. By October 2013, there were just three remaining blocks, all of which were empty. The last block was demolished in September 2015.[5]

History

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A Ballymun street scene with some of the tower blocks visible in the distance, circa late-1990s.

The Ballymun Flats were built in the 1960s to accommodate the rising population, particularly to accommodate former residents of inner-city areas which were being cleared in the process of 1960s urban slum clearances. Whilst suffering from a lack of sufficient public amenities, several schools served the area (Holy Spirit N.S. and Ballymun Comprehensive(now Trinity Comprehensive School)), as well as an Eastern Health Board medical centre and a purpose-built shopping centre. The area suffered from many social problems such as drugs and rampant crime. The causes of these social problems, and the subsequent discrimination faced by many people with Ballymun addresses when seeking employment outside the suburb, have been disputed, but Ballymun generally paralleled the experience of many working-class people in the 1960 and 1970s when placed in high-rise locations.

Despite the negative perceptions of many non-residents of Ballymun, many of the residents insist that there is a strong sense of pride and community in the area.[6] Lynn Connolly, whose 2006 memoir The Mun: Growing Up in Ballymun detailed her raising there in the 1970s and 1980s, readily acknowledged the problems there, and that during those years she wished to leave;[7] however, she later came to realise that there had been much that was good at the towers – in terms of a collective wit among residents and a helping sense of community – which had been ignored by the media.[7][8]

The Ballymun Flats were the first homes with cable television in Ireland. RTÉ Relays Ltd, a subsidiary of the national broadcaster RTÉ, installed cable television into the flats in 1963, giving each residence access to Irish stations such as RTÉ Television and UK stations such as BBC One, BBC Two, ITV, and from 1982, Channel 4.[9][better source needed][10]

Four-storey flats

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The four-storey flats were situated on Sandyhill Avenue, Sillogue Avenue, and Shangan Avenue. They were the earliest complexes to be demolished. The former flats of Sillogue Avenue are now open land, whilst the former flats of Shangan Avenue have been replaced by new complexes. A new area called Marewood, consisting of houses and apartments, is now situated where the Sandyhill Avenue flats once stood.

Eight-storey flats

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The eight-storey flats were situated along Balbutcher Lane, where there were two blocks; Shangan Road, where there were three blocks; Coultry Road, where there were four blocks; and Balcurris and Sillogue Roads, each of which had five blocks.

The eight-storey flats contained two different designs, one where the lift was located opposite the stairwell (pictured right) and an alternative design where the lift was located on the same side as the stairwell, as seen here on Sillogue Road, the four-storey Sillogue Avenue can be seen in the middle.

The flats had two different designs, the more common being with the lift on the opposite side of the stairwell, Balbutcher and Shangan were the only ones to feature this design. Balcurris contained one of the alternative blocks, Sillogue contained the alternative blocks and three of the other blocks, three of the four Coultry blocks were made contained the lift on the side of the stairwell. Balcurris was the only row of flats to have its blocks separated by a road, the latter three blocks faced a different direction to the first two blocks and were the most visible from Dublin Airport.

Balbutcher Lane was upgraded in the 1990s where only residents were allowed to enter and had to buzz their way in, visitors needed permission from residents in order to enter. Windows were placed on the balconies and post would be delivered similar to[clarification needed] how an apartment block would receive their mail. Railings were also placed around the flats and a playground was built at the back of the complex.

Sections of Coultry and Balcurris were demolished first, with the latter becoming the first complex to be completely demolished by 2009, it was originally noted that the Ballymun Shopping Centre and Metro North would be situated on the old Balcurris site, although these plans failed to materialize. Many of the complexes were demolished by 2012, after the removal of the Sillogue flats. Balbutcher Lane were the last eight-storey flats to go in 2015.

Fifteen-story flats

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The Ballymun tower blocks were seven landmark residential towers built in the 1960s. The seven towers were named after the seven leaders of the 1916 rising; Patrick Pearse, Thomas MacDonagh, Seán Mac Diarmada, Éamonn Ceannt, Thomas Clarke, James Connolly, and Joseph Plunkett.

In 2004, demolition of the first tower began. The Pearse tower was demolished slowly by mechanical means, while MacDermott and MacDonagh Towers were demolished by controlled implosion. Ceannt, Plunkett, Clarke, and Connolly towers were demolished by mechanical means.

The red aircraft warning lights on these structures were not connected to any form of back-up power for many years, leaving the towers completely dark during any power outage.

Joseph Plunkett tower, along with Balbutcher Lane, got railings and an entrance around the perimeter of the building (buildings, counting Balbutcher Lane) in the 1990s.

Construction/demolition

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  • Patrick Pearse tower (1966–2004) was the first tower to be erected, in 1966. It was halfway through construction when the construction of MacDonagh Tower started. Pearse Tower was the first one to be demolished in 2004.
  • Thomas MacDonagh tower (1966–2005) was the second tower, built in 1966, and in 2005 was demolished by controlled implosion. It was the third one to be demolished.
  • Éamonn Ceannt tower (1966–2005) was the third tower, built in 1966; in 2005 it was demolished. It was the fourth one to be demolished.
  • James Connolly tower (1966–2007) was the fourth tower, built in 1966. In 2007 it was demolished.
  • Seán MacDermott tower (Seán Mac Diarmada) (1966–2005) was the fifth tower to be built, in 1966. In 2005, it was demolished by controlled implosion and collapsed in less than eight seconds. It was the second fifteen-storey to be demolished .
  • Thomas Clarke tower (1966–2008) was the sixth tower, built in 1966. Four weeks before it was demolished in 2008, the top floor was turned into a short-stay hotel.
  • Joseph Plunkett tower (1967–2015) was the last one built, in 1967. The tower's demolition began on 22 September 2015.
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U2

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The 1987 U2 song Running to Stand Still was inspired by Bono's view of the flats from his childhood home on Cedarwood Road, which has one end in Ballymun, and one in Finglas.[11][12] The line "I see seven towers, but I only see one way out" refers to Bono witnessing drug dealing and addiction and it reminding him of the flats.[12] According to Sean Murphy, writing for the Southern Edition of the Sunday Independent, many Ballymunners[a] were honoured by the mention.[15] In 2004, after an unofficial U2 fan website called the area a 'bad area', warning "do NOT go here on foot" [sic], a spokesperson for Bono said that Bono is proud to be from Ballymun.[15]

In her book The Mun: Growing Up in Ballymun, Connolly was highly critical of Running to Stand Still. Connolly attributes the song to an "enormous [amount of] damage to the tenants' morale", calling the song 'bleak despair', and referring to the line "I see seven towers, but I only see one way out" as an ignorant remark from Bono.[16][17] She also says "Bono never lived in Ballymun. And yet website after website says that is where he hails from. How can anyone possibly confuse Ballymun with Glasnevin?" [sic].[16] In The Construction of Dublin, McDonald interpreted the lyric "I see seven towers, but I only see one way out" as referring to the "only way out of Ballymun [being] via drugs", saying that "at least a thousand of the tenants were drug addicts".[18]

Carry Me Down

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M. J. Hyland's Booker-shortlisted novel Carry Me Down (2006), is set in Ballymun, with the main character John Egan moving from Gorey, County Wexford into the Ballymun tower blocks.[19] Dermot Bolger, writing for the Irish Independent, criticised the book's depiction of Ballymun as being akin to someone who researched Ballymun in books that "record details like the fact that the heating could not be turned off by tenants or that people urinated in the lifts" as opposed to the reality of 1970s Ballymun.[20]

The Ballymun Trilogy

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The Ballymun Trilogy (2011), is a collection of three plays by poet and playwright Bolger set in Ballymun and the Ballymun flats, consisting of From These Green Heights (2004), The Townlands of Brazil (2006), and The Consequences of Lightning (2008).[21] From These Green Heights focuses on a family being relocated from Gardiner Street to become of the flats' first tenants, one of the family members named Dessie is in a relationship with another of the flats' first tenants named Marie who moved to the flats from Glasnevin after her father left her mother, with the play following their relationship and the birth of their child in Ballymun;[22][21] The Townlands of Brazil, focuses on tailor's daughter Eileen fleeing to England with her child Matthew to avoid putting him up for adoption after she gets pregnant by a Ballymunner named Michael, who then dies in a construction accident, with the play then focusing on Matthew returning to Ballymun when he is older as someone helping demolishing the flats, with a Polish immigrant named Monika living in the site where his mother formerly resided;[22][21] and The Consequences of Lightning, focuses on the funeral of the flats' first tenant Sam, who comments on the attendees of the funeral as a ghost.[21][22]

In November 2004, Fintan O'Toole, writing for The Irish Times praised From These Green Heights' "perfect expression of the chastened, watchful kind of hope" that people who are often "let down so badly so often [have]", while noting that the "story of almost 40 years" ideally would've been a series of plays[b] to avoid the inevitability of some moments "moving too rapidly to be properly realised", with some dialogue having 'clunky exposition'.[23] In the book, Literary visions of multicultural Ireland: The immigrant in contemporary Irish literature, Paula Murphy considered The Townlands of Brazil to be asking Ballymunners and Irish society as a whole to "re-imagine their personal and national histories in new historical, social, and cultural frameworks".[24] In 2006, Karen Fricker reviewing The Townlands of Brazil for The Guardian, said that Bolger clearly had 'too many stories to tell', and that the play would've been better as a dramaturg, though still felt the play was 'consistently intriguing and engaging', hoping that more plays like it would be made in the future.[25] In her book Irish Contemporary Landscapes in Literature and the Arts, Marie Mianowski says The Consequences of Lightning could be assessed as a "melodramatic summary of the stormy history of Ballymun [...] characterized by the strained relations between the protagonists".[26]

See also

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Notes

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  1. Someone from Ballymun,[13][14] also spelt as Ballymuner.[14]
  2. This review came before the other two plays were commisioned

References

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  1. "Demolition of `shining city on the hill' sanctioned". The Irish Times. Retrieved 29 August 2024.
  2. "Ballymun at 50: From high hopes to sink estate". The Irish Times. Retrieved 29 August 2024.
  3. "1966 – Ballymun Towers, Dublin". Archiseek - Irish Architecture. 27 January 2014. Retrieved 28 December 2021.
  4. "One failure begets another". The Irish Times. Retrieved 28 December 2021.
  5. PM, Cormac Murphy-10 September 2013 03:30. "Ballymun's last tower blocks to be demolished". Independent. Retrieved 19 July 2019.{{cite news}}: CS1 maint: numeric names: authors list (link)
  6. "Ballymun – A History" (PDF). Archived from the original (PDF) on 19 October 2013. Retrieved 19 July 2019.
  7. 1 2 Connolly 2006, p. 2
  8. "The Mun: Growing Up in Ballymun by Lynn Connolly". Read Ireland Book Reviews (358). 2006. Archived from the original on 18 December 2012.
  9. "History of Irish Cable". Boards.ie. Retrieved 19 July 2019.
  10. "History of Multichannel TV in Ireland". myhome.iolfree.ie. Retrieved 19 July 2019.
  11. Libreri & Kinsella 2012, p. 29 "'I am partly that because of the way I grew up in Finglas' [...] Bono stated 'when we moved to Cedarwood Road everyone was saying we lived in Ballymun [...] I asked my dad, who worked in the postal service, and he said, believe it or not, one part of the road is Ballymun and one part of the road is Finglas, so you can say what you like'"
  12. 1 2 Buckley, Frank (5 April 2007). "A Social History of U2 1976-2005". The Dubliner. The Dubliner. Archived from the original on 27 September 2007. Retrieved 26 April 2026.
  13. Connolly 2006
  14. 1 2 McCrann et al. 2008
  15. 1 2 Murphy, Sean (27 June 2004). "Locals rattled and stunned by U2 fans". Sunday Independent. p. 55. Retrieved 26 April 2026 via Newspapers.com.
  16. 1 2 Ekin, Des (17 September 2006). "Book tells real life in Ballymun 'How the Mun was my total tower of strength'". Sunday Independent. p. 58. Retrieved 26 April 2026 via Newspapers.com.
  17. Connolly 2006, p. 2 "I couldn't wait to leave; and regardless of what U2 say in their song, 'Running to Stand Still', there was certainly more than one way out. And yet again, once I got out... I only ever hankered to go back."
  18. McDonald 2000, p. 251 "'I see seven towers, but I only see one way out', Bono sings on one of U2's earlier albums, The Joshua Tree. The only way out for too many young people in Ballymun was via drugs. At least a thousand of the tenants were drug addicts, one in six were unmarried mothers, a further 10% were deserted/separated wives, unemployment was reckoned to be 45%, and up to a third of the estate's population of 12,000 was on the waiting list for housing elsewhere"
  19. Thompson, Kate (22 April 2006). "Helping hands". The Guardian. Retrieved 26 April 2026.
  20. Bolger, Dermot (7 May 2006). "Little secrets and the blackest lies: believe it . . . or not". Irish Independent. Retrieved 26 April 2026.
  21. 1 2 3 4 Murphy 2013, p. 151 "The first play, From These Green Heights, explores the lives of the original inhabitants of the tower block of Ballymun, who were initially strangers in the newly built suburb and feared by the local residents. The final play, The Consequences of Lightning, based around the death and funeral of the first inhabitant of the tower blocks" "In The Townlands of Brazil, the second play in Dermot Bolger’s The Ballymun Trilogy [...] The first act takes place in the 1960s and explores the fate of an unmarried pregnant woman, Eileen, who escapes having to give up her baby for adoption by fleeing to England"
  22. 1 2 3 Malone, Niamh (19 July 2014). ""Oh Jesus, I can't take this": Playing Witness to the Dramatization of Ballymun's Urban Regeneration Project, Dublin, 2004-2008". Breac. University of Notre Dame. Retrieved 27 April 2026.
  23. O'Toole, Fintan (26 November 2004). "Reviews". The Irish Times. Retrieved 27 April 2026.
  24. Murphy 2013, p. 152 "Bolger’s play presents a challenge not only to the residents of Ballymun but also to Irish society, in the way that it asks its audience to re-imagine their personal and national histories in new historical, social, and cultural frameworks. "
  25. Fricker, Karen (28 November 2006). "The Townlands of Brazil". The Guardian. Retrieved 28 April 2026.
  26. Mianowski 2012, p. 291 "The Consequences of Lightning, the conclusive play of the trilogy, can be assessed as a rather melodramatic summary of the stormy history of Ballymun, and is characterized by the strained relations between the protagonists"

Bibliography

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