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// Workers AI · dad joke modeIs Giorgos Arvanitis a good dancer? He's got Greek moves.

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(Redirected from Yorgos Arvanitis)

Giorgos Arvanitis
Giorgos Arvanitis at the Manaki Brothers Film Festival in Bitola in 2019
Born
Giorgos Arvanitis

OccupationCinematographer
Years active1967-present

Giorgos (or Yorgos) Arvanitis (Greek: Γιώργος Αρβανίτης) is a Greek cinematographer.

Early life and education

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Giorgos (or Yorgos) Arvanitis[citation needed] was born in the village of Dilofo, Makrakomi, Phthiotis, Greece.[citation needed]

Having received an education as an electrician in the construction sector, he started working in the film industry in his early 20s, advancing from 2nd camera assistant to finally become a director of photography.[citation needed]

Career

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Arvanitis has been an important figure in the Greek film industry, having worked on many films produced by Finos Films. In 1968, he worked on Theo Angelopoulos's first short film Εκπομπή (Broadcast). Since then, he has worked in every single one of Angelopoulos' movies, including award-winning Eternity and a Day[1] (Palme d'or, Cannes 1998), except for the very last trilogy he was shooting (Trilogy: The Weeping Meadow, The Dust of Time, The Other Sea).

During his career, his has worked with some of the greatest Greek directors such as Dinos Katsouridis, Pantelis Voulgaris, Michael Cacoyannis, and Jules Dassin.

In 1989, he moved to France, looking for a brighter future at a time when the total number of Greek movies was in decline.

In 1989 he received the Golden Osella for Best Cinematography at the Venice International Film Festival for the movie Australia directed by Jean-Jacques Adrien.[2] Since then he has worked with directors such as Volker Schlöndorff, Jean-Pierre and Luc Dardenne, Marco Bellocchio, Goran Paskaljevic, Marco Ferreri, Bruno Podalydès, Agnieszka Holland, Amos Gitai, and Nikos Panayiotopoulos.[3]

Memberships

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He is a member of the Association Française des directeurs de la photographie Cinématographique.[citation needed]

Awards and honours

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He has received numerous prizes for his work including (non-exhaustive list):

Filmography

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References

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  1. "Eternity and a Day' Is a Seductive and Haunting Reverie Kevin Thomas, Los Angeles Times staff writer May 27, 1999". Archived from the original on 19 October 2012. Retrieved 24 May 2009.
  2. "Australia". Venice Biennale. Retrieved 28 May 2024.
  3. Good intentions but no true cinematic vivacity Kathimerini October 29, 2002 [permanent dead link]
  4. [dead link]
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