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Music, Fashion, Film

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Music, Fashion, Film
Three men dressed in black in a kitchen-esque background: John Cale and Martin Scorsese sitting side by side with Marc Jacobs standing in the back.
Standard edition cover
Studio album by
Released24 July 2026 (2026-07-24)
StudioRue Boyer (Paris)
Genres
Length30:05
LabelAtlantic
Producers
Charli XCX chronology
Wuthering Heights
(2026)
Music, Fashion, Film
(2026)
Singles from Music, Fashion, Film
  1. "Rock Music"
    Released: 8 May 2026
  2. "SS26"
    Released: 21 May 2026
  3. "Wink Wink"
    Released: 26 June 2026
  4. "Camera"
    Released: 21 July 2026[1]

Music, Fashion, Film is the eighth studio album[2] by the British singer and songwriter Charli XCX, released on 24 July 2026 and distributed through Atlantic Records. A pop album, it features production by her longtime collaborators A. G. Cook and Finn Keane, who both co-wrote the album with Charli.

The album was preceded by the release of four singles, all of which have accompanying music videos; the lead single "Rock Music", followed by "SS26", "Wink Wink" and "Camera". A film of the same name accompanies the album, which includes visuals for all 11 songs, as well as behind-the-scenes footage of the album's creation.[3]

Upon release, Music, Fashion, Film was met with acclaim from music critics, who praised its lyrical honesty and experimental production. It topped the charts in Australia, New Zealand, Scotland, and the United Kingdom, while reaching the top ten in Austria, Germany, Ireland, Finland, the Netherlands, Sweden, Switzerland, and the United States. To further promote the album, Charli will embark on the eponymous seventh concert tour from September to October 2026.

Background and development

Charli XCX performing during her solo Brat Tour in November 2024

After receiving universal critical acclaim for her sixth studio album Brat (2024),[4] the British singer and songwriter Charli XCX saw her project spawning a viral Internet trend for its lime-green cover art and aesthetic dubbed as Brat summer.[5] Continuing this cultural phenomenon, she co-headlined the Sweat tour with Australian singer Troye Sivan and released her first remixed album on 11 October 2024 which featured various artists.[6]

Charli soon struggled with exhaustion and a lack of creative inspiration that made her feel like she "wouldn't be able to make music anymore".[7] She was then asked by director Emerald Fennell, in December 2024, to record a song for her 2026 film adaptation of Wuthering Heights (1847). Charli "immediately felt inspired" after reading the screenplay and worked on several tracks throughout 2025,[8] with frequent collaborator Finn Keane.[9] Described as a "world that felt undeniably raw, wild, sexual, gothic, [and] British,"[10] she noted this "collection of songs is an album" and wondered if it fit into her discography, but ultimately decided that it did not matter.[11]

Aidan Zamiri and Charli XCX at the 76th Berlin International Film Festival in February 2026

Brat and its songs were later nominated for nine Grammy Awards at its 67th annual ceremony, with Charli winning the three of them, including Best Dance/Electronic Album.[12] She then sent Scottish filmmaker Aidan Zamiri a message about her Brat success and headspace, which he read to Vanity Fair: "This feeling of having just almost got everything [she] could have wanted, and what that felt like on kind of a human level."[13] It served as the basis for the film titled The Moment, with Charli in the lead role and directed by Zamiri;[14] it premiered at multiple festivals.[a] When releasing her second soundtrack album on 13 February 2026, she revealed to American influencer Quenlin Blackwell about potentially quitting music and embrace into acting, hinting at another project.[17]

Two months later, American singer Sky Ferreira accused Charli of the usage of her old songs in the soundtrack and without credit.[18] Charli's management responded to Ferreira's claims on 6 April, stating, "All relevant parties were consulted [while] songwriting credits and splits were determined and agreed collectively in writing, with reference to documented timelines and contributions."[19] In the same press release, they added that Charli was filming in Kyoto, Japan, at the time for an untitled Takashi Miike film,[20] and she was wrapping up her upcoming studio album.[21] She then uploaded a black and white image of herself wearing headphones to Instagram on 15 April, with the caption stating, "I love making things." Confirmed to be music-related by Charli herself, she spent ten days at Rue Boyer Studios,[22] in 2025 in Paris, France, with record producers A. G. Cook and Finn Keane.[23]

Themes and composition

Music, Fashion, Film has been described as a pop album featuring guitars influenced by "Daft Punk-inspired" electronic rock.[24] Beginning with "Rock Music" as the lead single, it incorporates prominent distorted guitar instrumentation and Auto-Tune sounds,[25] while maintaining the pop-oriented style characteristic of Charli's work.[26] Its lyrics continue her conversational and provocative approach, including references to nightlife, friendship, and self-aware humour.[27] The next track, "SS26" was mainly inspired by the rock music genre, opening with light guitar lines and subdued electronic drum sounds before shifting into a more distorted sound,[28] with a subtle dance element.[29] It also references online backlash and cancel culture through lines such as "I was hacked, it got taken out of context, obviously".[30] "Camera" has elements of rock through this electronic track where it explores the vulnerability of stardom.[31] Lyrically, it tones down towards a confession by Charli surrounded by glitchy guitar synths which embraces her true-self.[32]

"Wink Wink" is a pop-rock song driven by a mid-tempo beat, clangy guitar riffs and searing synthesiser lines.[33] It is opened with a spoken-word catalogue of provocative behaviour while adopting a tongue-in-cheek tone,[34] with Charli claiming she is "not a bad girl anymore", a statement immediately undermined by the closing "wink, wink".[35]

"Magic Metal Montana" appeared with an "unexpected tempo" in production where Charli straightforwardly wrote this post-rock track as a platonic love letter to her close friend and producer Cook.[36] This penultimate song details their work relationship with the line "We make music, we talk that way", as well as smaller details about his taste with "You like old things, magic, metal and Montana".[37]

Promotion and release

"I'd never met either of them until the shoot. [...] A type of surreal cultural compendium assembled to document yet another form of art. I wanted to be a fly on the wall watching this unfold, but [...] the album cover allows me the birds-eye view of that moment in time. Improvisation was key."

Cale, discusses being featured on the album cover art with Jacobs and Scorsese, to Rolling Stone.[38]

Charli uploaded a teaser video on 7 May 2026, showcasing an electric guitar being crushed by a stiletto heel.[39] This was confirmed to be her lead single titled "Rock Music",[40] and was released the next day alongside a music video directed by Zamiri.[41] A black seven-inch vinyl was then produced on 9 May, that exclusively included a B-side track called "I Keep On Thinking Bout You Every Single Day and Night" with its respective video only being shared through Instagram,[42] on her alternative account.[43] Charli soon began teasing lyrics on a Substack post, which led to her second single release of "SS26" on 21 May.[44] Its music video was shown the same day, directed by Torso, depicting a fashion runway show in Paris with Charli presenting a series of designer looks.[45] Two days later, she dropped another B-side song titled "Playboy Bunny", with a limited vinyl and video release.[46] She explained her reasoning about the subsequent B-side releases, stating, "They're paired together, these two songs, are because, in ways, they're totally opposite from each other, and that is [k]ind of the main point of them."[47] The singer also added "[the songs] are never gonna go on streaming", but may potentially change in the near future.[48] Nevertheless, "I Keep On Thinking Bout You Every Single Day and Night" was interpolated in the outro of "Card Declined" on the album itself.[49]

Music, Fashion, Film was announced as Charli's eighth studio album on 1 June 2026, and released on 24 July.[50] The record contains eleven tracks with a total runtime of 30 minutes and 5 seconds. Its greyscale cover artwork, photographed by Zamiri,[51] features Welsh singer John Cale, American fashion designer Marc Jacobs and filmmaker Martin Scorsese, whom Nick Reilly for Rolling Stone UK described as "three cultural greats representing each aspect" of music, fashion, and film.[52] All three men were present for the photoshoot, which took place in a "random kitchen" at Charli's request.[38] An expanded edition of the album subtitled B-Sides Edition containing all three B-sides was released for purchase exclusively on the iTunes Store on 26 July.[53]

A week later, Charli revealed her fifth solo concert tour on 8 June 2026, beginning with four festival performances (Lollapalooza on 31 July; Outside Lands on 7 August; and Reading and Leeds Festivals on 28 and 29 August, respectively). The tour is planned to consist of an additional fourteen concerts across the United States and Canada from 11 September to 23 October, all with American singer Underscores as the supporting act.[54] Further dates in the United Kingdom are planned.[55]

Critical reception

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?7.9/10[56]
Metacritic82/100[57]
Review scores
SourceRating
AllMusicStarStarStarStar[58]
ConsequenceA-[59]
The Daily TelegraphStarStar[60]
DIYStarStarStarStarStar[61]
The GuardianStarStarStarStarStar[62]
The IndependentStarStarStar[63]
The Line of Best Fit9/10[64]
Pitchfork8.2/10  Best New Album[65]
Rolling StoneStarStarStarStar[49]
The SkinnyStarStarStar[66]

According to the review aggregator Metacritic, Music, Fashion, Film received "universal acclaim" based on a weighted average score of 82 out of 100 from twenty-five critic scores.[57] The review aggregator site AnyDecentMusic? compiled twenty-six reviews and gave the album a weighted average score of 7.9 out of 10, based on their assessment of the critical consensus.[56]

Writing for The Guardian, Laura Snapes labelled the album, following Brat, "another gorgeously astute and disarmingly deep album about the instability of identity – not just as a vanguard songwriter striving for evolution, but how much we can ever know one another, or even ourselves".[62] Caryn Ganz of Rolling Stone called it a "brilliant, catchy, often very funny look at the machinery of fame".[49] Ben Tipple of DIY described Music, Fashion, Film as a "sister album" to Brat, calling it a "candid, introspective triumph" that offers an "autobiographical snapshot of Charli as she is now".[61] Writing for AllMusic, Heather Phares hailed the album as being "inquisitive and invigorated", writing that Charli XCX's feelings "run just as deep" as they did on Brat. Phares described the album's "raw and spontaneous" impressions as resulting in some of Charli's "most daring and thought-provoking music".[58] Anna Gaca of Pitchfork described the album as being "intentionally, imperfectly human", and "full of little somatic thrills—doubled vocal harmonies, sharp dynamic contrasts". Gaca wrote that the album resembles the quasi-vérité style of How I'm Feeling Now, and acknowledges the "identity hazard of being the pop star".[65]

Michael Hoffman of The Line of Best Fit dubbed Music, Fashion, Film "Charli xcx’s most fully realised statement as an artist", where the singer is "proving herself to herself". Hoffman suggested that the track "Camera" serves as a thesis for the album, displaying "the willingness to be a beginner again, to suck a little, to let the camera expose rather than soften, but ultimately using the camera to escape her persona as Charli xcx".[64] Conversely, Paolo Ragusa of Consequence suggested that the track "Persona" serves as the album's "thematic crux", where Charli "confronts her pop star persona directly", describing it as a "particularly poignant offering that puts Charli’s inner war in perspective". Ragusa wrote that the album is "maybe [Charli XCX's] most honest one", which is the sound of the singer "trying to figure it out while the tape still rolls".[59]

In less favourable reviews, Roisin O'Connor of The Independent found the album's sound and themes "confusing and often contradictory", suggesting some of the lyrics exploring insecurity felt "like a hangover from Brat",[63] while Poppie Platt of The Daily Telegraph described the lyrics as "cringeworthy, surface-level platitudes" and the production as "distorted synths drown[ing] out any semblance of emotional clarity".[60] In a review for The Skinny, Joe Creely felt that Music, Fashion, Film's moments of "pure magic" are primarily limited to its singles, while criticising the tracks "Persona" and "2007" as "lacking in definition". Creely wrote that the album "comes to life in fits and starts", and suggested that it is a "higher profile version of the mixtapes of experimentation" that the singer was putting out "in the mid-2010s".[66]

Commercial performance

In the United Kingdom, Music, Fashion, Film debuted at number one on the UK Albums Chart, becoming Charli XCX's fourth number-one album in the country. It opened with 22,322 album-equivalent units, consisting of 15,050 physical copies, 1,762 digital downloads, and 5,510 sales-equivalent streams.[67] She became the first British female artist to chart two number-one albums in the same year, previously topping the chart with Wuthering Heights (2026) in February.[68] The album also topped the UK Vinyl Albums Chart.[68] In Australia, the album charted at number one on the ARIA Top 50 Albums chart, while also topping the vinyl albums chart.[69]

In the United States, Music, Fashion, Film debuted at number three on the Billboard 200, with 78,000 album-equivalent units earned in its first week, becoming her fourth top-ten album in the country. Of that total, 57,000 were pure album sales, while 21,000 were streaming-equivalent units.[70] Charli XCX became the only woman to have at least two debuts in the top ten of the Billboard 200 in 2026, following Wuthering Heights which debuted and peaked at number eight in February.[70]

Track listing

All tracks are produced by A. G. Cook and Finn Keane.

No.TitleWriter(s)Length
1."Rock Music"1:55
2."SS26"
  • Aitchison
  • Cook
  • Keane
2:48
3."Card Declined"
  • Aitchison
  • Cook
  • Keane
3:28
4."Camera"
  • Aitchison
  • Keane
2:31
5."2007"
  • Aitchison
  • Cook
  • Keane
2:04
6."I'm Afraid"
  • Aitchison
  • Keane
2:11
7."Yeah"
  • Aitchison
  • Cook
  • Keane
2:17
8."Wink Wink"
  • Aitchison
  • Keane
2:03
9."Persona"
  • Aitchison
  • Cook
  • Keane
2:37
10."Magic Metal Montana"
  • Aitchison
  • Cook
2:31
11."No One Lasts Forever" (featuring David Cronenberg)
  • Aitchison
  • Cook
  • Keane
5:42
Total length:30:05
B-Sides Edition disc two[71]
No.TitleWriter(s)Length
1."I Keep On Thinking Bout You Every Single Day and Night"
  • Aitchison
  • Keane
1:31
2."Playboy Bunny"
  • Aitchison
  • Cook
  • Keane
2:06
3."If You Take Away the Music Then What Has She Got?"
  • Aitchison
  • Cook
  • Keane
2:08
Total length:35:50

Notes

  • The outro of "Card Declined" contains a rock arrangement of "I Keep On Thinking Bout You Every Single Day and Night".
  • Vinyl editions omit David Cronenberg's appearance on "No One Lasts Forever", which shortens the track down to 3:06, bringing the total album length to 27:21.
  • The second disc of the B-Sides Edition includes music videos for tracks 1–3, presented as tracks 4–6.[71]

Personnel

The credits are adapted from Tidal.[72]

Charts

Chart performance
Chart (2026) Peak
position
Australian Albums (ARIA)[73] 1
Austrian Albums (Ö3 Austria)[74]4
Belgian Albums (Ultratop Flanders)[75]1
Belgian Albums (Ultratop Wallonia)[76]4
Dutch Albums (Album Top 100)[77]3
Finnish Albums (Suomen virallinen lista)[78]5
German Albums (Offizielle Top 100)[79]6
Irish Albums (Official Charts)[80]3
Italian Albums (FIMI)[81] 15
Japanese Download Albums (Billboard Japan)[82] 52
Japanese Western Albums (Oricon)[83] 22
Lithuanian Albums (AGATA)[84] 12
New Zealand Albums (RMNZ)[85] 1
Norwegian Albums (IFPI Norge)[86] 34
Scottish Albums (Official Charts)[87]1
Swedish Albums (Sverigetopplistan)[88] 10
Swiss Albums (Schweizer Hitparade)[89]3
UK Albums (Official Charts)[90]1
US Billboard 200[91]3

Release history

List of release dates, editions, and formats
Date Format(s) Edition Label Ref.
24 July 2026 Standard Atlantic [92]
26 July 2026 Digital download B-Sides [53]

Footnotes

References

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  2. Zoladz, Lindsay (24 July 2026). "Charli XCX Makes a Quick and Dirty Exit From Her Brat Era". The New York Times. Retrieved 27 July 2026. Music, Fashion, Film, the ... eighth album by Charli XCX
  3. Pilley, Max (25 July 2026). "Watch Charli XCX's full Music, Fashion, Film album film". NME. Archived from the original on 1 August 2026. Retrieved 1 August 2026.
  4. Snapes, Laura (6 June 2024). "Charli XCX: Brat review – Insecurity-obliterating anthems by pop's most human superstar". The Guardian. Archived from the original on 21 June 2024. Retrieved 8 June 2024.
  5. Demopoulos, Alaina (23 July 2024). "'Kamala is Brat': Harris campaign goes lime-green to embrace the Meme of the Summer". The Guardian. Archived from the original on 22 August 2024. Retrieved 30 July 2024.
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  33. Cinquemani, Sal (26 June 2026). "Charli XCX drops "Wink Wink", latest single from new album Music, Fashion, Film". Slant Magazine. Retrieved 30 June 2026.
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