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// Workers AI · dad joke modeWhat did Son ar chistr say to his date? You're a striking match.

From Wikipedia, the free encyclopedia
(Redirected from Son Ar Chistr)

"Son ar chistr" (lit.'Song of cider', also called "Ev chistr ’ta Laou!", lit.'Drink cider, Laou!') is a Breton song written in 1929 by two Morbihan teenagers, Jean Bernard and Jean-Marie Prima. It was made famous through a 1970 recording by Breton singer and harpist Alan Stivell, and later, in 1976, by the Dutch band Bots under the name "Zeven dagen lang".

History

[edit]

In June 1976, a Dutch interpretation of Son ar chistr was released by the Dutch band Bots under the title Zeven Dagen Lang, seeing widescale popularity in the Netherlands and both West and East Germany, reaching number 23 in charts in the Netherlands.[1][2] The song was first released on the album Voor God En Vaderland, a title chosen to mock the pro-NATO rhetoric in the Netherlands at the time during the NATO Double-Track Decision crisis.[3] The Bots version of the song was not a direct translation, but included a political message in line with the outspoken leftist "battle culture" direction of the band.[4]

Luis Corvalán pictured with East German leader Erich Honecker in 1977.

Following this success, Bots attended the Festival of Political Songs in East Germany for several years - a festival organised by the FDJ and East German band Oktoberklub.[5] A year later, Oktoberklub would release their own variant of the song, this time calling for revolutionary solidarity and in support of the exiled Chilean communist leader Luis Corvalan.[6] Through the Singebewegung, an institutionalised music movement organised by the East German government to steer cultural engagement towards socialist idealism[7], the song was framed to promote the ideals of egalitarian camaraderie, collective labour and anti-imperialist solidarity.[8] In 1983 Neues Deutschland, the official party newspaper of the Socialist Unity Party, described the song as one of the most popular songs of the FDJ-Singebewegung.[9]

After Bots performed at the festival Rock Gegen Rechts in 1979, the band released a version in German a year later, assisted in translation by writers including Wolf Biermann, Hanns Dieter Hüsch, Hannes Wader, Diether Dehm [a] and Günter Wallraff.[10][11][12] Through the political orientation of both Bots and Oktoberklub, the song was used in numerous demonstrations during the European Peace Marches of the 1980s. With the popularity of both releases from the two music groups, both with significant influences in the folk music scene, the song became a staple of folk groups around the world and has been translated into many languages.[13]

In 2005, a new version of "Wat zullen we drinken" was recorded by Bots in collaboration with Moroccan-Dutch rapper Ali B on the occasion of the Muziek10Daagse, highlighting themes of inter-ethnic relations, integration and multiculturalism.[14][15][16] In 2014, Bots released an updated collection as a tribute to their late frontman, Hans Sanders. The album also featured the title track, "Was sollen wir denken" ("What are we supposed to think"), a collaboration with the German rap group Microphone Mafia.[17][18] The song was transformed into a modern critique of neoliberal austerity, the systemic challenges faced by gastarbeiter and immigrant communities, and the distorting influence of corporate media.

In Germany, the VVN-BdA has noted the attempted reinterpretation of progressive songs by far-right musicians associated with the NPD such as Frank Rennicke, making specific mention of "Was wollen wir trinken".[19] Furthermore, on the Runet, the German version of the song is often falsely believed to be associated with the Luftwaffe, due to a popular YouTube video pairing the Bots version of the song with an image of a Tiger tank.[20][21][22]

Recordings

[edit]

The song is still used by folk groups around the world and has been translated into many languages. Though many groups keep the popular motif, the lyrics sometimes differ completely from the original. Selected recordings include:

Bibliography

[edit]

References

[edit]
  1. "Antiwar Songs (AWS): Bots - Zeven dagen lang [incl. Son ar chistr]". www.antiwarsongs.org. Retrieved 2025-10-31.
  2. Cermak-Sassenrath, Daniel; Hasse, Stina (2019-08-01). "Re-Volution Sampler – The Aesthetics of a Participatory Archive of Political Songs". RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology. BCS Learning & Development: 122–131. doi:10.14236/ewic/RESOUND19.20.
  3. Ham, Laurens (2021-03-15). "Top 20 van Nederlandstalige Protestalbums: 9. Bots, Van kwaad tot erger (1975)". Neerlandistiek (in Dutch). Retrieved 2026-07-14.
  4. Cermak-Sassenrath, Daniel; Hasse, Stina (2019-08-01). "Re-Volution Sampler – The Aesthetics of a Participatory Archive of Political Songs". RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology: 124. doi:10.14236/ewic/RESOUND19.20 via ResearchGate.
  5. Grüning, Barbara (2024-02-01). "The spatialization of music and politics in festival spaces: The social, symbolic and emotional structuring of the Festival of Political Songs in the German Democratic Republic". European Journal of Cultural Studies. 27 (1): 52–69. doi:10.1177/13675494231173497. ISSN 1367-5494.
  6. Zenker, Tibor. Faschismus / Antifaschismus. ISBN 978-3990415542.
  7. "Musikgeschichte Online – Singebewegung". mugo.hfm-weimar.de. Retrieved 2026-07-21.
  8. Robb, David (2007). Protest Song in East and West Germany Since the 1960s. Camden House. pp. 82, 135, 154–156. ISBN 978-1571132819.
  9. Krüger, Martina (9 August 1983). "Stimmungsvoller Auftakt beim FDJ-Liedersommer". Neues Deutschland. p. 4.
  10. Wdm (2019-02-09). "WhyDoThingsHaveToChange: BOTS - Aufstehn 1980". WhyDoThingsHaveToChange. Retrieved 2025-10-31.
  11. Gallus, Prof Dr Alexander; Jesse, Prof Dr Eckhard; Backes, Prof Dr Uwe (2014-12-05). Jahrbuch Extremismus & Demokratie (E & D): 26. Jahrgang 2014 (in German). Nomos Verlagsgesellschaft mbH & Co. KG. ISBN 978-3-8487-1925-9.
  12. Bots - Sieben Tage lang, retrieved 2026-07-18
  13. "Kultur: bots: "Sieben Tage lang" (1981)". Der Tagesspiegel Online (in German). ISSN 1865-2263. Retrieved 2026-02-08.
  14. "Zeven Dagen Lang - Bots". NPO Radio 2 (in Dutch). Retrieved 2026-07-13.
  15. "Bots - Botsproeven". home.hccnet.nl. Retrieved 2026-07-13.
  16. "Nederklassiekers in nieuw jasje op Muziek 10 Daagse". nu.nl. Retrieved 2026-07-13.
  17. "FolkWorld #55: CD Reviews". www.folkworld.de. Retrieved 2026-07-18.
  18. Limbach, Conträr Musik Rolf. "Was sollen wir denken | Conträr Musik Rolf Limbach". Conträr Musik (in German). Retrieved 2026-07-18.
  19. "Was wollen wir trinken? – Magazin der VVN-BdA" (in German). Retrieved 2026-02-08.
  20. "Was wollen wir trinken или что нам наливают в интернетах!". facilitatorman.livejournal.com. Retrieved 2025-10-31.
  21. knari (2020-11-04). "Song: "Was wallen wir trinken" / "Sieben Tage lang"". The Notes of Glitch the Hamster. Retrieved 2025-10-31.
  22. "Non, les Ukrainiens ne chantent pas un hymne nazi, mais une chanson paillarde bretonne..." Penn Bazh (in French). 2022-09-26. Retrieved 2025-10-31.

Notes

[edit]
  1. Under his pseudonym Lerryn, a portmanteau of his nickname, Larry, and Lenin