Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a248a5a31d18cf80

Jump to content

// Workers AI · dad joke modeWhat did Mesoamerican creation myths say to the calendar? You're a-maize-ing.

From Wikipedia, the free encyclopedia
(Redirected from Sixth World)

Mesoamerican creation myths are the collection of creation myths attributed to, or documented for, the various cultures and civilizations of pre-Columbian Mesoamerica and Mesoamerican literature.

Creation

[edit]

Maya

[edit]

The Maya gods included Kukulkán (also known by the Kʼicheʼ name Gukumatz and the Aztec name Quetzalcoatl) and Tepeu. The two were referred to as the Creators, the Forefathers or the Makers. According to the Popol Vuh, the two gods decided to preserve their legacy by creating an Earth-bound species looking like them. The first attempt was man made from mud, but Tepeu and Kukulkán found that the mud crumbled. The two gods summoned the other gods, and together they decided to make man from wood. However, since these men had no soul and soon lost loyalty to the creators, the gods destroyed them by rain. Finally, man was constructed from maize, the Mayans' staple and sacred food. The deity Itzamna is credited as being the creator of the calendar along with creating writing.[1]

Aztecs

[edit]

The Aztec people had several versions of creation myths. One version of the myth includes four suns, each representing one of the four elements. In another version of the myth, the creator couple give birth to four sons, Red Tezcatlipoca, Black Tezcatlipoca, Quetzalcoatl, and Huitzilopotchli. In both versions, the suns, or sons, are attributed with the creation of the Earth and common destructions that would have been experienced by the Aztec people such as great floods and volcanic eruptions. Yet another version has Quetzalcoatl and Tezcatlipoca turn into snakes and destroy a great monster, ripping it in two where one half is cast down to become the Earth and one half is cast up to create the heavens.[2]

Other

[edit]

Other creation myths that are commonly known to natives of the Mesoamerican region include The Emergence of the Ancestors (Aztec), The Man of the Crops (Jicaque), Why the Earth Eats the Dead (Bribri), and Opossum Steals Fire (Mazatec).[1]

Ball game

[edit]

One activity that was popular widely among Mesoamerican cultures is the ball game, similar to football, or soccer in the United States. Most societies played the game using their hips instead of feet, called Ullamalitzli. Evidence of the ball game has been found in nearly every Mesoamerican society, including the Olmec, Tlaloc, Aztec and more, and ball courts have also been found in Hispaniola and Puerto Rico, practised by the Taino people. The sacred origins of the ball game can be found in the Popol Vuh, which illustrates how two brothers defeated the gods of the underworld in a ball game and became celestials who became the creators.[3] The ball game may also relate to the movement of the sun through the heavens. Thus it is believed that the ball game remained an important part of Mesoamerican culture as a way to honor the gods who brought about the creation of the Earth and the people.[4]

Ritual Application[5]

[edit]

During the Postclassic period, the establishment of new temples and political centers often involved foundation rituals that mirrored primordial acts of creation, effectively anchoring the community's history into a sacred, mythic timeline.[6]</ref> Mesoamerican creation myths were physically manifested through architecture and rituals designed to re-create primordial time, as evidenced by Postclassic Maya codices [1.1, 1.2]. These rituals, including the dedication of sacred spaces and the placement of hearthstones, aligned communities with the established cosmic order [1.1]. For further insights on this topic, refer to the work of Vail and Hernández on the subject. In Mesoamerican tradition, creation myths were not merely oral histories but were actively "re-created" through physical rituals and architectural foundations.[7] During the Postclassic period, the establishment of new temples and political centers often involved foundation rituals that mirrored primordial acts of creation, effectively anchoring the community's history into a sacred, mythic timeline.[8]

See also

[edit]

References

[edit]
  1. 1 2 Bierhorst, John (1990). The Mythology of Mexico and Central America. New York: William Morrow and Company, Inc. pp. 67–77. ISBN 0688067212.
  2. Taube, Karl A. (1993). Aztec and Maya myths. The Legendary past (1st University of Texas Press ed.). Austin: University of Texas Press. pp. 33–34. ISBN 978-0-292-78130-6.
  3. Christenson, Allen (March 1, 2007). Popol Vuh: The Sacred Book of Maya (1 ed.). University of Oklahoma Press. pp. 164–176. ISBN 9780806138398.
  4. Uriarte, María (Spring 2006). "The Teotihuacan Ballgame and the Beginning of Time". Ancient Mesoamerica. 17 (1): 17–38.
  5. In Mesoamerican tradition, creation myths were not merely oral histories but were actively "re-created" through physical rituals and architectural foundations.<ref>Vail, Gabrielle; Hernández, Christine (2013). Re-Creating Primordial Time: Foundation Rituals and Mythology in the Postclassic Maya Codices. University Press of Colorado. ISBN 978-1607322214.
  6. Vail, Gabrielle (2013). Re-Creating Primordial Time. University Press of Colorado.
  7. Vail, Gabrielle; Hernández, Christine (2013). Re-Creating Primordial Time: Foundation Rituals and Mythology in the Postclassic Maya Codices. University Press of Colorado. ISBN 978-1607322214.
  8. Vail, Gabrielle (2013). Re-Creating Primordial Time. University Press of Colorado.
[edit]