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// Workers AI · dad joke modeWhat did "The Birds, the Bees and the Italians" book teach? The egg-pectations of love.

From Wikipedia, the free encyclopedia
(Redirected from Signore & signori)

The Birds, the Bees and the Italians
Italian theatrical release poster
ItalianSignore & signori
LiterallyLadies & Gentlemen
Directed byPietro Germi
Screenplay by
Story by
  • Luciano Vincenzoni
  • Pietro Germi
Produced by
Starring
CinematographyAiace Parolin
Edited bySergio Montanari
Music byCarlo Rustichelli
Production
companies
  • Dear Film Produzione
  • R.P.A.
  • Les Films du Siècle
Distributed by
Release dates
  • 10 February 1966 (1966-02-10) (Italy)
  • 24 June 1966 (1966-06-24) (France)
Running time
115 minutes
Countries
  • Italy
  • France
LanguageItalian

The Birds, the Bees and the Italians (Italian: Signore & signori, lit.'Ladies & Gentlemen') is a 1966 commedia all'italiana anthology film co-written and directed by Pietro Germi. It stars Virna Lisi, Gastone Moschin, Nora Ricci, Alberto Lionello, Beba Lončar, Franco Fabrizi, Nora Ricci and Gigi Ballista. The film consists of three segments set in a small town in Veneto: A married man pretends to be impotent to cover up an affair; a bank employee abandons his wife for his mistress; and a group of prominent local men discover that they all had sex with the same underage girl.

The film shared the Grand Prix with A Man and a Woman at the 1966 Cannes Film Festival.[1] It was later selected for screening as part of the Cannes Classics section of the 2016 Cannes Film Festival.[2]

In 2008, the film was included on the Italian Ministry of Cultural Heritage's 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."[3]

Plot

[edit]

In the fictional Venetian town of Rezega, a group of merchants and professionals from the upper-middle class conceal a complex web of underlying mutual betrayals.

Toni Gasparini, a charismatic playboy both admired and feared by friends, confides in Dr. Castellan, a friend and physician, admitting that he has been impotent for several months. This revelation is intended to make Castellan lower his guard regarding his young and lively wife, Noemi. Insensitively, the doctor spreads this confidential information among friends, purely for the pleasure of gossip, oblivious to the fact that he is inadvertently aiding Toni's scheme. Following a party, Castellan, along with others, continues the night of revelry at a nightclub, allowing Toni to accompany Noemi home. When a disbelieving friend, who had witnessed Toni's recent escapade approximately ten days prior, reveals this information, the doctor rushes home but arrives too late to prevent Noemi from being seduced. He is then compelled to conceal the incident to preserve his own honor. The historic phrase he utters while leaving the house is, "and let it stay between us", underscoring the importance of not being perceived as a "béco" or "cuckold" in Venetian dialect (and in the northeast in general).

Osvaldo Bisigato, an unassuming bank employee burdened by an oppressive and resentful wife, Gilda, who incessantly reproaches him for failures and a lack of ambition, believes he can embark on a new life by eloping with Milena Zulian, the young and beautiful cashier of the bar frequented by the group. However, while adultery is tacitly tolerated, separation is not socially acceptable in Italy, prompting the entire town to unite against him: Gilda's cousin (the influential Ippolita, Toni's wife), the so-called "friends", the employer, the parish priest, and even the Carabinieri commander. They all coerce him to reconsider and maintain the illusion of the sanctity of marital union. Don Schiavon convinces Milena to leave town, and Bisigato, after a suicide attempt and a stint in a clinic, returns submissive and resigned.

Alda Cristofoletto, a young and beautiful country girl (characterized as "white as milk" and "tough as marble" by shoe salesman Lino Benedetti), arrives in town for shopping and attracts the attention of a group of womanizers. However, the following day, farmer Bepi Cristofoletto, the father of the 16-year-old girl, reports them all for statutory rape. To prevent the community from being tarnished by the scandal of the trial, economic magnates and religious authorities silence the local press. Through a series of calls, they prompt reporter Tosato to erase names until no culprits remain in the article. The cold and calculating Ippolita, the wife of one of the accused, convinces the naive and honest farmer Cristofoletto to withdraw the complaint. She offers him a substantial sum of money in return, satisfying her own carnal desires and securing a considerable portion of the funds collected for "mediation", ostensibly intended for the poor.

Cast

[edit]

References

[edit]
  1. "The Birds, the Bees and the Italians". Cannes Film Festival. Retrieved 8 March 2009.
  2. "Cannes Classics 2016". Cannes Film Festival. 20 April 2016. Archived from the original on 25 April 2016. Retrieved 21 April 2016.
  3. "Ecco i cento film italiani da salvare Corriere della Sera". Corriere della Sera (in Italian). Retrieved 11 March 2021.

See also

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