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Pan Asian Repertory Theatre

From Wikipedia, the free encyclopedia
(Redirected from Pan Asian Rep)

Theatre entrance

The Pan Asian Repertory Theatre is a New York City-based theatre group that explores the Asian-American experience and provides professional opportunities for Asian-American artists to collaborate.[1] Pan-Asian was founded by Tisa Chang and Ernest Abuba in 1977, and Chang remains artistic director.[2] Chang established the Pan Asian Repertory Theatre as a resident company at La MaMa Experimental Theatre Club in 1977, with the intention of popularizing Asian-American theater and leading to other similar theatre companies in cities with an Asian disaporic population.[3][4] Pan-Asian's productions have received numerous accolades including Obie Awards, Drama Desk Awards, and a Theatre World Award.[5][6][7]

Specializing in intercultural productions of new Asian-American plays,[4] Asian classics in translation, and innovative adaptations of Western classics,[3] some of the works Pan Asian has presented included:

Pan Asian has staged early works of writers including Momoko Iko, Wakako Yamauchi, Philip Kan Gotanda, R. A. Shiomi, and David Henry Hwang. When they established a residency program in 1987, Pan Asian became the United States' first resident Asian American theater company continuing with Chang's goal to showcase Asian American theater as having a role in the city's theater scene.[13][14]

It was one of three companies to co-found and produce the first National Asian American Theater Festival, which was first held in 2007.[15] The other two were the National Asian American Theater Company and Ma-Yi Theater Company.[15]

See also

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References

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  1. Haun, Harry (June 16, 2017). "40 Years On, Pan Asian Rep Still Uses Art as Protest". playbill.com. New York City: Playbill. Retrieved May 12, 2025.
  2. Hall, Margaret (June 28, 2022). "Pan Asian Repertory Theatre Founder Ernest Abuba Dies at 74". playbill.com. New York City: Playbill. Retrieved May 13, 2025.
  3. 1 2 Gussow, Mel (April 22, 1997). "A Stage for All the World of Asian-Americans". New York Times. p. C-16. Archived from the original on June 14, 2011. Retrieved May 13, 2025.
  4. 1 2 Alipio, Amy (June 10, 2022). "These groundbreaking theaters shine a spotlight on Asian stories". National Geographic. Archived from the original on June 10, 2022. Retrieved June 23, 2022.
  5. "Ernest Abuba to be King of La MaMa's Lier Rex, Sept. 24-Oct. 11". Playbill. Retrieved July 4, 2026.
  6. Rosky, Nicole (April 29, 2024). "2024 Drama Desk Awards Nominations- The Full List!". BroadwayWorld.com. Retrieved July 4, 2026.
  7. "Pan Asian Rep Announces 20th Anniversary Season". Playbill. Retrieved July 4, 2026.
  8. Kung, Michelle (April 5, 2010). "Ching Chong Chinaman Playwright Explains Controversial Title". Wall Street Journal. ISSN 0099-9660. Retrieved June 23, 2022.
  9. "Prince Gomolvilas' Ghost-Story Play The Brothers Paranormal to Debut Off-Broadway". Playbill. Retrieved July 4, 2026.
  10. Kumar, Naveen (January 26, 2023). "'Memorial' Review: An American Story, Set in Stone". The New York Times. ISSN 0362-4331. Retrieved July 4, 2026.
  11. Smith, Kelundra (February 2, 2024). "'Warrior Sisters of Wu': Humor and Ferocity on the Eve of War". Retrieved July 4, 2026.
  12. "Review: My Man Kono, the Story of Charlie Chaplin's Valet, an Alleged Spy for Japan - TheaterMania.com". February 13, 2025. Retrieved July 4, 2026.
  13. Lee, Esther Kim (October 12, 2006). A History of Asian American Theatre. Cambridge University Press. pp. 43, 90–92. ISBN 978-0-521-85051-3.
  14. Bowles, Elinor (1993). Cultural Centers of Color: Report on a National Survey. National Endowment for the Arts. pp. 102–103.
  15. 1 2 Felton-Dansky, Miriam (August 20, 2024). "So Many Players". The Brooklyn Rail. Retrieved June 9, 2026.
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