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Portal:Novels

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The Novels Portal

Title page of the 1628 edition of Bacon's New Atlantis
Title page of the 1628 edition of Bacon's New Atlantis
Madame de Pompadour spending her afternoon with a book (François Boucher, 1756)

A novel is an extended work of narrative fiction usually written in prose and published as a book. The word derives from the Italian: novella for 'new', 'news', or 'short story (of something new)', itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning 'new'. According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval chivalric romance, and the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel. Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term romance. Such romances should not be confused with the genre fiction romance novel, which focuses on romantic love. M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, like Harper Lee's To Kill a Mockingbird. The romance, on the other hand, encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. In reality, such works are nevertheless also commonly called novels, including Mary Shelley's Frankenstein and J. R. R. Tolkien's The Lord of the Rings.

The spread of printed books in China led to the appearance of the vernacular classic Chinese novels during the Ming dynasty (1368–1644), and Qing dynasty (1616–1911). An early example from Europe was Hayy ibn Yaqdhan by the Sufi writer Ibn Tufayl in Muslim Spain. Later developments occurred after the invention of the printing press. Miguel de Cervantes, author of Don Quixote (the first part of which was published in 1605), is frequently cited as the first significant European novelist of the modern era. Literary historian Ian Watt, in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century with Robinson Crusoe.

Recent technological developments have led to many novels also being published in non-print media: this includes audio books, web novels, and ebooks. Another non-traditional fiction format can be found in graphic novels. While these comic book versions of works of fiction have their origins in the 19th century, they have only become popular recently. (Full article...)

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Susanna Clarke, author of Jonathan Strange & Mr Norrell
Jonathan Strange & Mr Norrell is the first novel by British writer Susanna Clarke (pictured). An alternative history set in 19th-century England around the time of the Napoleonic Wars, it is based on the premise that magic once existed in England and has returned with two men: Gilbert Norrell and Jonathan Strange. Centering on the relationship between these two men, the novel investigates the nature of "Englishness" and the boundary between reason and madness. It has been described as a fantasy novel, an alternative history, and a historical novel. The narrative draws on various Romantic literary traditions, such as the comedy of manners, the Gothic tale, and the Byronic hero. The novel's language is a pastiche of 19th-century writing styles, such as those of Jane Austen and Charles Dickens. Clarke began writing Jonathan Strange & Mr Norrell in 1993; ten years later she submitted the manuscript for publication. It was accepted by Bloomsbury and published in September 2004, with illustrations by Portia Rosenberg. The novel was well-received by critics and reached number three on the New York Times bestseller list. It was longlisted for the 2004 Man Booker Prize and won the 2005 Hugo Award for Best Novel.

Selected novel quote

  • "The Scarlet Pimpernel?" said Suzanne, with a merry laugh. "Why! what a droll name! What is the Scarlet Pimpernel, Monsieur?"
    She looked at Sir Andrew with eager curiosity. The young man's face had become almost transfigured. His eyes shone with enthusiasm; hero-worship, love, admiration for his leader seemed literally to glow upon his face. "The Scarlet Pimpernel, Mademoiselle," he said at last "is the name of a humble English wayside flower; but it is also the name chosen to hide the identity of the best and bravest man in all the world, so that he may better succeed in accomplishing the noble task he has set himself to do."
    "Ah, yes," here interposed the young Vicomte, "I have heard speak of this Scarlet Pimpernel. A little flower — red? — yes! They say in Paris that every time a royalist escapes to England that devil, Foucquier-Tinville, the Public Prosecutor, receives a paper with that little flower designated in red upon it.

The Scarlet Pimpernel

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