// Workers AI · dad joke modeWho's Jeanne Guyon's favorite tailor? Sew Guyon.
Jeanne Guyon | |
|---|---|
Jeanne Guyon | |
| Born | Jeanne-Marie Bouvier de La Motte 13 April 1648 |
| Died | 9 June 1717 (aged 69) Blois, Kingdom of France |
| Occupations | Mystic, spiritual writer |
| Movement | Christian mysticism, Quietism |
| Spouse | Jacques Guyon |
| Children | 5 |
Jeanne-Marie Bouvier de La Motte Guyon (commonly Madame Guyon; 13 April 1648 – 9 June 1717) was a French mystic, spiritual writer, and lay teacher of prayer whose writings on inward prayer, abandonment to God, and pure love became one of the central subjects of the late seventeenth-century Quietist controversy in France. Her works, especially Moyen court et très facile de faire oraison and her biblical commentaries, circulated widely in manuscript and print. They influenced François Fénelon, archbishop of Cambrai, but drew the opposition of Jacques-Bénigne Bossuet, Louis Antoine de Noailles, and other French ecclesiastical authorities.[1]
Guyon was never formally condemned as a heretic by name, but her writings and teachings stood behind the Articles of Issy in 1695, and her Moyen court was placed on the Index Librorum Prohibitorum in 1689.[2] She was imprisoned several times, including in the Bastille, and spent her later years at Blois. Although her teaching remained suspect in Catholic France, her writings were widely read in Protestant circles, especially among Pietists, Quakers, Methodists, Holiness writers, and other traditions of inward religion.[3]
Guyon’s spirituality also belonged to a wider transnational literature of interior prayer that included earlier Spanish and New Spanish contemplatives. Among the figures read by Guyon’s circle was Gregorio López, the Spanish hermit of New Spain, whose radically simplified prayer and reputation as a modern Desert Father helped shape later Catholic and Protestant traditions of inward devotion.[4]
Life
[edit]Early life
[edit]Jeanne-Marie Bouvier de La Motte was born at Montargis, south of Paris, into a prosperous family of the French provincial bourgeoisie. Her father, Claude Bouvier de La Motte, belonged to the local legal and administrative élite. Her childhood alternated between family life and periods of education in convents, including houses of the Ursulines and the Benedictines. Guyon later described herself as a child drawn both to piety and to vanity, and her autobiography presents her early life as a series of unstable movements between religious aspiration, family pressure, illness, and ordinary social ambition.[5]
Her later self-presentation belongs to the genre of early modern spiritual autobiography. It does not simply record events, but interprets them as stages in an interior education by God. Modern scholars therefore use the autobiography cautiously, treating it both as an important historical source and as a theological narrative shaped by conventions of mystical self-writing.[6]
Marriage and widowhood
[edit]In 1664, at the age of fifteen, Jeanne-Marie married Jacques Guyon, a wealthy man considerably older than herself. The marriage brought her into a socially prominent household, but it was unhappy. Guyon later portrayed these years as marked by domestic constraint, the hostility of relatives, physical illness, and the death of children. Five children were born of the marriage, though not all survived childhood.[5]
Jacques Guyon died in 1676, leaving her a widow while still young. After his death she increasingly pursued a life of prayer, renunciation, and spiritual writing. She later described this period as a decisive passage from external devotion toward inward abandonment to God. Her vocabulary of dispossession, annihilation of self-love, interior death, and loss of self-possession became central to her mature spirituality.[5]
Spiritual direction and early travels
[edit]Guyon came under the influence of the Barnabite priest François La Combe, whom she met in the early 1680s. La Combe became her spiritual director and collaborator, and their association later became one of the principal grounds of suspicion against both of them. Guyon travelled in parts of France and Savoy, including Geneva, Annecy, Grenoble, Thonon, Gex, and Turin, seeking to promote an inward form of prayer. These travels brought her into contact with religious houses, spiritual directors, and lay disciples, but also exposed her to charges of irregular spiritual influence, especially because she was a laywoman teaching on advanced prayer.[7]
Her first major works appeared in this period. Moyen court et très facile de faire oraison was published in 1685 and set forth her practical teaching on inward prayer. In the same year she also published a commentary on the Song of Songs, a biblical book that became central to her account of the soul’s purification and union with God.[7]
In 1685 she returned to Paris. Her teaching gained adherents among aristocratic and devout circles, including women associated with courtly and conventual networks, but it also attracted scrutiny. La Combe was arrested in 1687 and remained imprisoned for many years. Guyon herself was confined for a time in the convent of the Visitation in Paris, but she was later released through the intervention of influential friends, including Madame de Maintenon.[7]
Association with Fénelon
[edit]Guyon met François Fénelon in 1688. Their spiritual friendship became one of the most consequential relationships in the history of French Quietism. Fénelon read Guyon’s writings, valued her spiritual insight, and later sought to defend, clarify, and systematize elements of her teaching. Their correspondence shows that he did not simply adopt her views uncritically; he often tried to interpret them within the broader Catholic mystical tradition, especially through Clement of Alexandria, John of the Cross, Francis de Sales, Catherine of Genoa, and other approved writers.[8]
McGinn argues that Fénelon’s defence of Guyon was not primarily a simple defence of her person, but a defence of the mystical element in Christianity against what Fénelon regarded as Bossuet’s narrowed and anti-mystical interpretation of tradition.[8] Fénelon’s The Gnostic of Saint Clement of Alexandria attempted to show that the advanced Christian described by Clement was substantially the same as the passive contemplative of later mysticism. His later Maxims of the Saints sought to organize the mystical tradition around the theme of pure love, though McGinn judges that the work was too systematic, hastily composed, and often unclear.[9]
The Issy conferences and imprisonment
[edit]The growing controversy led to the conferences at Issy in 1694–1695. The chief examiners were Bossuet, Noailles, and Louis Tronson; Fénelon participated from a distance and later more directly. The result was the Articles of Issy, signed on 10 March 1695. The articles did not name Guyon, but they were intended to set boundaries against teachings associated with her circle. They affirmed the legitimacy of certain forms of mystical prayer, including the prayer of simple presence and passive prayer, but insisted on the continuing necessity of faith, hope, charity, vocal prayer, moral effort, obedience, and ecclesiastical judgment.[2]
McGinn emphasizes that the Issy articles were capable of divergent interpretations. Bossuet interpreted them as a restriction of the new mystics; Fénelon regarded them as preserving essential points about pure love, passive prayer, and advanced contemplation. The articles rejected the doctrine of a single perpetual act of prayer, cautioned against neglect of reflex acts and ordinary virtues, and denied that the advanced soul was exempt from Christian obligations. Yet they also acknowledged that extraordinary forms of prayer approved by Francis de Sales and other spiritual writers could not simply be rejected as suspect.[2]
Guyon was sent in January 1695 to the convent of Sainte-Marie at Meaux, where Bossuet conducted a series of interviews intended to obtain her submission. She later described these months as marked by pressure and manipulation. On 2 July 1695 Bossuet gave her a certificate of orthodoxy and permission to leave his diocese, though he later contested the meaning of this act. In December 1695 she was arrested and imprisoned at Vincennes. She was subsequently moved to Vaugirard and then, in 1698, to the Bastille, where she remained until 1703.[10]
Later life
[edit]After her release from the Bastille, Guyon lived under restriction, eventually settling at Blois. She continued to write and to correspond with disciples, including Protestant admirers. Her later years were quieter, but her works continued to circulate in manuscript and in editions prepared by followers, especially the Dutch Reformed mystic and editor Pierre Poiret. Guyon died at Blois on 9 June 1717.[3]
Writings
[edit]Guyon was a prolific writer. Her works include autobiographical writings, spiritual letters, poems, biblical commentaries, and treatises on prayer. Many circulated in manuscript before appearing in print, and some were edited, rearranged, or translated by later admirers.[11]
Her best-known short work is Moyen court et très facile de faire oraison (A Short and Easy Method of Prayer), first published in 1685. It teaches a simple inward prayer of faith, recollection, and abandonment. The soul is instructed to turn inward, gently return to God when distracted, and allow divine action to operate beyond discursive effort. The work’s accessibility helped make it influential, but also contributed to its suspicion among Catholic authorities. It was condemned in 1689.[12]
Les Torrents spirituels develops Guyon’s teaching on the soul’s passage through purification, loss, abandonment, and transformation in God. Its imagery of torrents, rivers, and the sea presents the soul as drawn beyond self-possession into the divine will. This work became especially important for later readers who interpreted Guyon as a teacher of total surrender and inward transformation.[11]
Guyon also wrote extensive biblical commentaries, including commentaries on the Song of Songs, the Book of Job, the Gospels, and other biblical books. Her interpretation of the Song of Songs presents the soul’s journey through purification, abandonment, loss of self-interest, and union with God. In her Justifications, prepared during the controversy, she defended her teaching by gathering passages from approved mystical and theological authorities, including Augustine of Hippo, Bernard of Clairvaux, John of the Cross, Francis de Sales, Benet of Canfield, and others.[13]
Among the seventeenth-century writers cited in the Justifications was the French Capuchin mystical theologian Pierre de Poitiers, author of Le Jour mystique (1671), whom Dominique Tronc describes as having been “particularly appreciated” by Guyon.[14] Guyon drew on Pierre de Poitiers especially on themes such as naked faith (foi nue), quietude, distractions in prayer, interior nudity, union with God, and conformity to the divine will.[15]
Her autobiography, written in stages, became one of the principal sources both for her admirers and for her enemies. Bossuet used it in his later polemics to portray her as deluded, proud, and dangerous; modern scholars have treated it more cautiously, as a spiritual autobiography shaped by the conventions of early modern mystical self-writing.[6]
Spiritual teaching
[edit]Prayer and abandonment
[edit]Guyon’s teaching centres on inward prayer, abandonment to God, and the purification of self-love. She presents prayer not chiefly as discursive meditation or petition, but as a movement of the soul into simple, loving attention to God. The soul gradually ceases to act from self-interest and allows God to act within it. This passivity does not mean inertia, but receptivity to divine action.[7]
Her language often overlaps with earlier Catholic mystical traditions. She speaks of spiritual death, annihilation of self-love, loss of self-possession, and transformation in God. McGinn notes that such terms were not invented by Guyon; they belonged to a broad mystical vocabulary found in authors such as John of the Cross, Francis de Sales, Catherine of Genoa, and Benedict of Canfield. The controversy arose partly because late seventeenth-century authorities increasingly treated these expressions as dangerous when used by contemporary mystics.[16]
Guyon’s teaching also shows continuity with seventeenth-century French contemplative traditions preceding the Quietist controversy. In her Justifications, she repeatedly cites Pierre de Poitiers’s Le Jour mystique, especially its discussions of inward recollection, passive prayer, and the distinction between disturbance in the lower faculties and repose in the will united to God.[17] The passages selected by Guyon from his treatise evoke the “centre” or “ground” of the soul beyond images and mutability.[18]
Guyon’s teaching on simple inward prayer also stood within a broader current of early modern contemplative literature that sought to reduce prayer to loving attention, recollection, and abandonment to the divine will. Dominique and Murielle Tronc identify Gregorio López, together with the Carmelite José de Jesús María Quiroga, as among the earlier Spanish mystical writers read by Guyon and her circle before the later controversies surrounding Miguel de Molinos.[4] López’s reputation for radical simplicity, inward recollection, and surrender to God offered one precedent for the kind of interiorized prayer later associated with Guyon, Pierre Poiret, Gerhard Tersteegen, and other transconfessional readers of mystical literature.[4]
Pure love and the impossible supposition
[edit]One of the central issues in the controversy was pure love, the love of God without self-interest. Guyon and Fénelon taught that the highest love seeks God for God’s own sake rather than for reward, consolation, or even the soul’s own happiness. Opponents feared that this teaching could undermine Christian hope, petitionary prayer, moral effort, and desire for salvation.[9]
A particularly controversial theme was the so-called impossible supposition: the hypothetical willingness to love God even if, impossibly, God were to will the soul’s damnation. McGinn argues that this was not an unconditional desire for damnation, but a conditional and extreme expression of disinterested love found in earlier mystical writers, including Francis de Sales. The papal condemnation of Fénelon’s Maxims did not condemn pure love as such, but censured certain expressions that seemed capable of dangerous interpretation.[19]
Passivity, action, and virtue
[edit]Guyon’s critics accused her of teaching a passivity that suppressed human cooperation, moral effort, prayer, and the practice of virtue. McGinn’s analysis distinguishes several issues often conflated in the polemics: passive contemplation, the prayer of quiet, the one act, abandonment, holy indifference, and the relation between direct and reflex acts. Guyon’s language sometimes appeared to minimize explicit acts of virtue, petition, and reflection. Fénelon attempted to defend a more qualified position, insisting that the advanced soul remains free, meritorious, obedient, and capable of distinct acts of virtue, even when these acts are suffused by simple love.[9]
The Articles of Issy rejected the view that perpetual prayer consists in a single act never needing renewal, and affirmed the value of reflection on one’s acts and graces. They also insisted that vocal prayer, confession, mortification, and the ordinary practices of Christian piety remain valid for contemplatives. At the same time, they did not deny the legitimacy of passive prayer or the prayer of simple presence when rightly understood.[2]
Christ, Scripture, and mystical experience
[edit]Bossuet and other critics charged the new mystics with excessive reliance on experience and with neglect of Scripture, doctrine, and the humanity of Christ. Fénelon sought to show that the contemplative soul does not abandon Christ, the Trinity, or the divine attributes, but knows them in a simple, non-discursive way. McGinn notes that Fénelon and Bossuet agreed in rejecting any form of contemplation that would exclude Christ’s humanity, but differed sharply over how mystical experience should be interpreted and judged.[8]
Guyon’s own writings make frequent use of Scripture, especially the Song of Songs, the Psalms, Job, and the Gospels. Yet her opponents thought her experiential language allowed too much authority to inward states. The controversy therefore turned not only on prayer, but on the relation between Scripture, ecclesiastical authority, spiritual experience, and the vocabulary used to describe interior union with God.[16]
Quietist controversy
[edit]Bossuet’s opposition
[edit]Bossuet became Guyon’s most formidable opponent. He regarded the new mystics as confusing authentic Christian prayer with dangerous claims about passivity, annihilation, disinterested love, and interior inspiration. His view of mysticism was cautious and clerical: mystical states existed, but were rare, extraordinary, and subject to strict ecclesiastical judgment. McGinn characterizes Bossuet’s approach as anti-mystical in tendency, though not as a denial of mysticism altogether.[20]
Bossuet’s Instruction sur les états d’oraison and his later Relation sur le quiétisme attacked the teachings associated with Guyon, François La Combe, François Malaval, Miguel de Molinos, and Fénelon. He charged the new mystics with the exclusion of Christ’s humanity from contemplation, the suppression of desires and petitions, the doctrine of the one act, neglect of mortification and virtue, and overattachment to extraordinary prayer. McGinn notes that Bossuet’s later polemics, especially the Relation, helped form the popular image of Guyon and Fénelon as dangerous enthusiasts, even though the theological substance of the work added little to earlier arguments.[6]
Fénelon’s defence and condemnation
[edit]Fénelon’s defence of mystical theology culminated in Explication des maximes des saints sur la vie intérieure, published in 1697. The book attempted to distinguish true from false mysticism and to show that pure love was the goal of the saints’ interior paths. It was not primarily a defence of Guyon, but it made clear that Fénelon had not broken with her central teaching. The book provoked a prolonged dispute with Bossuet and was condemned by Pope Innocent XII in the brief Cum alias ad apostolatus on 12 March 1699.[9]
The condemnation was mitigated in several ways. The document was a papal brief rather than an apostolic constitution; it did not declare any of the censured propositions heretical; and it did not condemn the doctrine of pure love itself. McGinn argues that Cum alias censured certain formulations in Fénelon’s book because they could lead in dangerous directions, while leaving untouched the broader Christian ideal of pure love. Fénelon immediately submitted publicly to the papal decision, while distinguishing between the intentions of the author and the defective expressions found in the text.[19]
Guyon’s imprisonment and the politics of the controversy
[edit]The French controversy unfolded within the political and ecclesiastical culture of Louis XIV. McGinn stresses that the pursuit of Guyon and Fénelon was shaped by the absolutist church-state system of the period. Madame de Maintenon, Bossuet, Noailles, and other figures at court regarded Guyon’s influence as spiritually and socially disruptive. Fénelon’s appointment as archbishop of Cambrai complicated the controversy, and his conflict with Bossuet became known as the Battle of the Olympians.[21]
Guyon herself remained imprisoned while the theological and political conflict continued around her. McGinn describes her prison writings as moving but not adding substantially to her mystical teaching. He also notes that attempts were made to prove accusations of immorality between Guyon and La Combe, including through a forged or coerced letter obtained from La Combe after his mental collapse in prison. Guyon recognized the deception and demanded to confront him directly. She remained in the Bastille until March 1703.[10]
Later influence and reception
[edit]Protestant reception
[edit]Although Catholic authorities treated Guyon with suspicion, her writings had a wide Protestant afterlife. Pierre Poiret edited and disseminated her works, and her teaching entered currents of Protestant inward religion. Patricia Ward has shown that Guyon and Fénelon were especially important in eighteenth- and nineteenth-century Anglo-American spirituality, where they were read by figures associated with experimental religion, perfectionism, inward prayer, and sanctification.[3]
McGinn notes that Pietists, Quakers, Baptists, Methodists, Presbyterians, Congregationalists, and other Protestant nonconformists found in Guyon and Fénelon valued spiritual teachers. Protestant translations often removed or softened Catholic features such as references to sacraments, saints, and spiritual direction, making Guyon’s teaching more accessible to readers outside Catholic structures.[16] Her works circulated in English through selections, devotional editions, and spiritual manuals, influencing traditions that emphasized the religion of the heart.[3]
A German Pietist channel was especially important. Gerhard Tersteegen translated and adapted Guyon’s emblematic poetry, and Ward argues that Guyon’s influence on Tersteegen was mediated through Pierre Poiret and through circles that valued inward prayer, self-renunciation, and union with God.[22] Guyon also entered English-speaking Protestant devotion through John Wesley, who abridged her autobiography and read her with sympathy and caution, retaining what he judged useful for holiness while warning against excess.[3]
The same networks that transmitted Guyon also transmitted López. Pierre Poiret republished Losa’s life of López, and Gerhard Tersteegen later adapted it into German for his Auserlesene Lebensbeschreibungen Heiliger Seelen, where López appeared among exemplary Catholic saints and mystics offered to Protestant readers as witnesses to inward Christianity.[23] López therefore formed part of the same Franco-Dutch-German devotional transmission through which Guyon’s writings entered Pietist, Methodist, and other Protestant traditions of inward religion.[4]
Quaker reception was another important channel. Guyon’s teaching on inward prayer and silent attention to God was read in relation to Quaker waiting worship. The Quaker anthology A Guide to True Peace, first published in 1813, drew largely on writings associated with Fénelon, Guyon, and Molinos, and presented inward prayer as a silent and loving attention to God.[24]
American Holiness and evangelical reception
[edit]In the nineteenth century, Guyon’s writings entered American Protestant devotional culture through Methodist, Quaker, Holiness, and perfectionist networks. Ward describes this as a form of experimental theology: Catholic mystical texts were reread through Protestant categories of sanctification, disinterested love, surrender, and inward experience.[3]
Thomas Cogswell Upham, a professor of mental and moral philosophy at Bowdoin College, became one of Guyon’s most important American interpreters. He wrote a biography of Guyon and interpreted her teaching through the categories of sanctification, the surrendered will, mental discipline, and holy love.[25] Later Holiness and Higher Life writers, including Hannah Whitall Smith, received Guyon and Fénelon through anthologies, abridgements, and devotional collections that emphasized inward rest, guidance, and abandonment to God.[26]
Guyon’s influence also reached conservative evangelical and Pentecostal-adjacent settings through the broader interior-life tradition. A. W. Tozer recommended Guyon, Fénelon, and other mystical writers, and his anthology The Christian Book of Mystical Verse preserved a Protestant devotional canon concerned with the prayer of quiet, the rest of faith, communion with God, and divine love.[27]
Catholic reception and anti-mysticism
[edit]Within Catholicism, the Quietist controversy contributed to a broader suspicion of mystical literature. McGinn argues that the condemnations of Molinos, Petrucci, Fénelon, and the works associated with Guyon helped produce an anti-mystical climate in the eighteenth century. The Index of Forbidden Books became an instrument by which many works emphasizing interiority and contemplative prayer were suppressed. McGinn cites Eulogio Pacho’s description of the period as a hecatomb of mystical literature.[16]
This reaction affected even approved mystics. John of the Cross, though canonized in 1726, was often treated cautiously because his language could be interpreted in a Quietist direction. Later Catholic spiritual writers such as Jean-Pierre de Caussade and Jean Nicolas Grou continued to develop themes of abandonment and inward prayer, but the great age of Catholic mystical writing had passed. McGinn describes Quietism as a spectre that continued to haunt Catholic mysticism because many of its condemned or suspect formulations overlapped with older and legitimate mystical traditions.[16]
Literary and intellectual reception
[edit]Ward argues that Guyon’s reception was not limited to formal devotional circles. Her writings and the circles influenced by them entered eighteenth- and nineteenth-century literature, moral philosophy, and psychology. In Karl Philipp Moritz’s novel Anton Reiser, Guyonian Quietism appears as part of the religious and psychological formation of the protagonist’s household. Ward treats this as an important literary afterlife of German Quietist circles.[28]
The American reception of Guyon also intersected with nineteenth-century moral philosophy through Upham, whose philosophical work joined questions of psychology, the will, disinterested love, religious experience, and sanctification. In this setting, Guyon became not only a devotional author but also a figure through whom Protestants explored the relation between inward experience, moral agency, and religious transformation.[29]
Modern scholarship and assessment
[edit]Modern scholarship has reinterpreted Guyon beyond the polemical categories of the seventeenth century. Earlier accounts often repeated Bossuet’s view of her as an enthusiast or spiritual danger. Later historians of spirituality have treated her as a major figure in early modern mysticism whose writings illuminate the tensions between gender, authority, experience, ecclesiastical control, and the language of interior prayer.[16]
McGinn interprets the crisis of Quietism as involving three interrelated factors: the suspicion of interior religion in an age of increasing religious and social exteriority; an internal narrowing or implosion of mystical discourse around themes such as pure love, abandonment, acquired and infused contemplation, and the impossible supposition; and the growing influence of Enlightenment models of reason, moderation, and human nature. He also sees a growing psychologization of mystical theology in the seventeenth century, especially in the detailed analysis of interior states. In this respect, Guyon and Fénelon stand at the end of a major phase of early modern Catholic mysticism.[16]
Guyon’s historical importance lies in the paradox of her reception. In Catholic France, her name became bound to the suspicion of Quietism, and her writings helped provoke one of the most consequential anti-mystical reactions of the early modern period. Outside Catholic structures, however, her works remained spiritually influential and helped shape Protestant traditions of inward prayer. The same themes that made her suspect to Bossuet—abandonment, passivity before God, pure love, and the soul’s direct interior relation to divine action—made her attractive to later readers seeking a language of immediate spiritual experience.[3][16]
McGinn’s interpretation places Guyon within a larger crisis rather than treating her as an isolated eccentric. Her teaching drew on recognized mystical traditions, but it also used language that could be ambiguous, extreme, or insufficiently qualified. Her opponents often exaggerated her errors, but her writings also contributed to the disputed vocabulary that made the controversy difficult to resolve. The result was a conflict in which questions of theology, psychology, ecclesiastical authority, gender, and political power converged around the meaning of Christian mysticism itself.[1]
Selected works
[edit]- Moyen court et très facile de faire oraison (A Short and Easy Method of Prayer)
- Le Cantique des cantiques interprété selon le sens mystique
- Les Torrents spirituels
- Justifications
- La Vie par elle-même
- Biblical commentaries on the Old and New Testaments
- Spiritual letters and poems
See also
[edit]References
[edit]- 1 2 McGinn, Bernard (2021) [1998]. The Crisis of Mysticism: Quietism in Seventeenth-Century Spain, Italy, and France. New York: Crossroad. pp. 173–287.
- 1 2 3 4 McGinn, Bernard (2021) [1998]. The Crisis of Mysticism: Quietism in Seventeenth-Century Spain, Italy, and France. New York: Crossroad. pp. 249–256, 305–307.
- 1 2 3 4 5 6 7 Ward, Patricia A. (2009). Experimental Theology in America: Madame Guyon, Fénelon, and Their Readers. Waco, Texas: Baylor University Press. pp. 1–37, 85–144.
- 1 2 3 4 Tronc, Dominique; Tronc, Murielle (2023). Une école du coeur. Paris: Almora.
- 1 2 3 Guyon, Jeanne Marie Bouvier de la Motte (2011). Guénin-Lelle, Dianne (ed.). The Complete Madame Guyon. Brewster, Massachusetts: Paraclete Press. pp. 13–86.
- 1 2 3 McGinn, Bernard (2021) [1998]. The Crisis of Mysticism: Quietism in Seventeenth-Century Spain, Italy, and France. New York: Crossroad. pp. 282–284.
- 1 2 3 4 McGinn, Bernard (2021) [1998]. The Crisis of Mysticism: Quietism in Seventeenth-Century Spain, Italy, and France. New York: Crossroad. pp. 173–204.
- 1 2 3 McGinn, Bernard (2021) [1998]. The Crisis of Mysticism: Quietism in Seventeenth-Century Spain, Italy, and France. New York: Crossroad. pp. 224–244, 257–277.
- 1 2 3 4 McGinn, Bernard (2021) [1998]. The Crisis of Mysticism: Quietism in Seventeenth-Century Spain, Italy, and France. New York: Crossroad. pp. 257–277.
- 1 2 McGinn, Bernard (2021) [1998]. The Crisis of Mysticism: Quietism in Seventeenth-Century Spain, Italy, and France. New York: Crossroad. pp. 247–248, 282–284.
- 1 2 Tronc, Dominique (2008). Tronc, Dominique (ed.). Madame Guyon: Œuvres mystiques. Paris: Honoré Champion. pp. 19–46, 265–446.
- ↑ McGinn, Bernard (2021) [1998]. The Crisis of Mysticism: Quietism in Seventeenth-Century Spain, Italy, and France. New York: Crossroad. pp. 305–307, 327 n.5.
- ↑ McGinn, Bernard (2021) [1998]. The Crisis of Mysticism: Quietism in Seventeenth-Century Spain, Italy, and France. New York: Crossroad. pp. 230–236, 292–293 nn.81–89.
- ↑ Tronc, Dominique, ed. (2017). Le Jour mystique de Pierre de Poitiers. Association Chemins de Dialogue. p. 27.
- ↑ Tronc, Dominique, ed. (2017). Le Jour mystique de Pierre de Poitiers. Association Chemins de Dialogue. pp. 39–40.
- 1 2 3 4 5 6 7 8 McGinn, Bernard (2021) [1998]. The Crisis of Mysticism: Quietism in Seventeenth-Century Spain, Italy, and France. New York: Crossroad. pp. 305–327.
- ↑ Tronc, Dominique, ed. (2017). Le Jour mystique de Pierre de Poitiers. Association Chemins de Dialogue. pp. 39–41.
- ↑ Tronc, Dominique, ed. (2017). Le Jour mystique de Pierre de Poitiers. Association Chemins de Dialogue. pp. 40–41.
- 1 2 McGinn, Bernard (2021) [1998]. The Crisis of Mysticism: Quietism in Seventeenth-Century Spain, Italy, and France. New York: Crossroad. pp. 260–265, 285–287.
- ↑ McGinn, Bernard (2021) [1998]. The Crisis of Mysticism: Quietism in Seventeenth-Century Spain, Italy, and France. New York: Crossroad. pp. 244–256, 278–281, 318–322.
- ↑ McGinn, Bernard (2021) [1998]. The Crisis of Mysticism: Quietism in Seventeenth-Century Spain, Italy, and France. New York: Crossroad. pp. 248–249, 257–258, 281–287, 318–319.
- ↑ Ward, Patricia A. (2009). Experimental Theology in America: Madame Guyon, Fénelon, and Their Readers. Waco, Texas: Baylor University Press. pp. 71–79.
- ↑ Shantz, Douglas H. (2015). "Pietism as a Translation Movement". In Shantz, Douglas H. (ed.). A Companion to German Pietism, 1660–1800. Leiden: Brill. pp. 319–347. doi:10.1163/9789004283862_013.
- ↑ Birkel, Michael (2018). Quakers Reading Mystics. Leiden and Boston: Brill. pp. 102–106.
- ↑ Ward, Patricia A. (2009). Experimental Theology in America: Madame Guyon, Fénelon, and Their Readers. Waco, Texas: Baylor University Press. pp. 129–168.
- ↑ Ward, Patricia A. (2009). Experimental Theology in America: Madame Guyon, Fénelon, and Their Readers. Waco, Texas: Baylor University Press. pp. 155–170, 241–243.
- ↑ Ward, Patricia A. (2009). Experimental Theology in America: Madame Guyon, Fénelon, and Their Readers. Waco, Texas: Baylor University Press. pp. 201–205.
- ↑ Ward, Patricia A. (2009). Experimental Theology in America: Madame Guyon, Fénelon, and Their Readers. Waco, Texas: Baylor University Press. pp. 80–82.
- ↑ Ward, Patricia A. (2009). Experimental Theology in America: Madame Guyon, Fénelon, and Their Readers. Waco, Texas: Baylor University Press. pp. 129–168.
Further reading
[edit]- Armogathe, Jean-Robert (1973). Le quiétisme. Paris: Presses Universitaires de France.
- Guénin-Lelle, Dianne (1994). The Story of Madame Guyon. Lanham, Maryland: University Press of America.
- Guyon, Jeanne Marie Bouvier de la Motte (2011). Guénin-Lelle, Dianne (ed.). The Complete Madame Guyon. Brewster, Massachusetts: Paraclete Press.
- McGinn, Bernard (2021) [1998]. The Crisis of Mysticism: Quietism in Seventeenth-Century Spain, Italy, and France. New York: Crossroad.
- Shantz, Douglas H. (2015). "Pietism as a Translation Movement". In Shantz, Douglas H. (ed.). A Companion to German Pietism, 1660–1800. Leiden: Brill. pp. 319–347. doi:10.1163/9789004283862_013.
- Tronc, Dominique (2008). Tronc, Dominique (ed.). Madame Guyon: Œuvres mystiques. Paris: Honoré Champion.
- Ward, Patricia A. (2009). Experimental Theology in America: Madame Guyon, Fénelon, and Their Readers. Waco, Texas: Baylor University Press.
External links
[edit]- "A Short and Easy Method of Prayer". Christian Classics Ethereal Library.
- "Autobiography of Madame Guyon". Christian Classics Ethereal Library.
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- French autobiographers
- French Christian mystics
- French religious writers
- French spiritual writers
- French women non-fiction writers
- People from Montargis
- Prisoners of the Bastille