Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a2263ec76ae507d6

Jump to content

// Workers AI · dad joke modeWhat did Codename Cougar say to Codename Tiger? Purr-haps we can work together?

From Wikipedia, the free encyclopedia
Codename Cougar
Traditional Chinese代號美洲豹
Simplified Chinese代号美洲豹
Hanyu PinyinDàiháo měizhōubào
Directed byZhang Yimou
Yang Fengliang
Written byCheng Shiqing
StarringGong Li
Ge You
Liu Xiaoning
Wang Xueqi
CinematographyGu Changwei
Release date
  • 1989 (1989)
Running time
90 minutes
LanguageMandarin

Codename Cougar (also known as Codename: Cougar, Operation Cougar or The Puma Action) is a 1989 Chinese thriller film. It was co-directed by Zhang Yimou and Yang Fengliang. Unlike the bulk of Zhang's early works (ranging from 1986's Red Sorghum to 1995's Shanghai Triad), which were all historical pieces, Codename Cougar is a modern thriller involving a skyjacked airliner and political intrigue.

The film was made as a private investment by a friend of Zhang, but parts of their initial ideas were censored by the Chinese authorities. In the end, the film broke even but earned no profits. Zhang called it "a purely commercial gun chase film".[1]

Plot

[edit]

The film follows a commercial airliner on a routine flight between Taipei and Seoul that is hijacked and taken to mainland China by the fictional Taiwan Revolutionary Army Front. Communist authorities cannot seize the plane because of the presence of an important business figure on the flight, and agree to cooperate discreetly with Taiwanese authorities to defuse an already tense situation.

Cast

[edit]

Reception

[edit]

The film is generally considered a failure or a footnote to Zhang's general oeuvre; Time referred to the film as Zhang Yimou's last "purely frivolous work."[2]

References

[edit]
  1. Zhang Yimou. Frances K. Gateward, Yimou Zhang, Univ. Press of Mississippi, 2001, p. 31.
  2. Corliss, Richard (2002-12-15). "In the Mood for Swordplay". Time. Archived from the original on February 20, 2007. Retrieved 2008-05-10.
[edit]