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// Workers AI · dad joke modeIs Banga Mata a drum? Does it bang out a mata-rial rhythm?

From Wikipedia, the free encyclopedia
(Redirected from Bangla Ma)
Map of Bengal

Banga Mata (Bengali: বঙ্গমাতা [ˈbɔŋɡoˌmat̪aˑ]) or Bangla Ma (Bengali: বাংলা মা [ˈbaŋlaˑ ˈmaˑ]), often translated into English as Mother Bengal, is a personification of Bengal.[1][2][3] It emerged during the Bengali Renaissance and was later adopted by the Bengali nationalists.[4][5][6] Banga Mata is originally an old abstract personification of greater Bengal (modeled after similar ones from Europe, such as Britannia). It remains popular in Bangladeshi and Indian Bengali as a cultural expression and a patriotic symbol.

In Amar Sonar Bangla, the national anthem of Bangladesh, Rabindranath Tagore used the word "Maa" (Mother) numerous times to refer to the motherland, i.e., Bengal. Despite her popularity in patriotic songs and poems, her physical representations and images are rare.

History

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Mother Language Day Monument in Kolkata, West Bengal, depicting a mother with her fallen language martyr in the Bengali language movement

Swadeshi movement

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The Swadeshi movement was a campaign that promoted self-sufficiency through the use of domestically produced goods while rejecting British products.[7] It emerged as a major response to the partition of Bengal, which was announced by the colonial administration in December 1903 and formally implemented in 1905. The movement contributed significantly to the growth of Indian nationalism.[8] During this period, Abanindranath Tagore created the painting originally titled Banga Mata, which was later renamed Bharat Mata on the suggestion of Sister Nivedita. The painting came to symbolize nationalist aspirations and became closely associated with the ideals of the Swadeshi movement.[9][10]

First partition of Bengal

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The first incarnations of Mother Bengal, or Bangamata, emerged during resistance to the partition of Bengal. The partition took place in October 1905 and separated the largely Muslim areas of Eastern Bengal from the largely Hindu areas of Western Bengal. Wealthy Hindus centered around Calcutta, who dominated Bengal's businesses and rural life, complained that the partition would make them a minority in a province due to the incorporation of the Bihar and Orissa Province into the Bengal Presidency.[11] It was during this time the Mother Bengal was an immensely popular theme in Bengali patriotic songs and poems and was mentioned in several of them, such as the song ″Dhana Dhanya Pushpa Bhara″ and ″Banga Amar Janani Amar″ (Our Bengal Our Mother) by Dwijendralal Ray. These songs were meant to rekindle the unified spirit of Bengal, to raise public consciousness against political divides.[12][11]

Bangladesh Liberation War

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The theme of Mother Bengal continued through the Bengali nationalist movement in East Bengal into the struggle for the Independence of Bangladesh, from the events of 1948-1952 Bengali Language Movement to the 1971 Liberation War for Bangladesh, the concept of Mother Bengal was evoked and kept centered within the revolution. Many Bengali patriotic songs referring to Mother Bengal were composed within this time-frame and alongside already existing songs of such nature were regularly played on the Swadhin Bangla Betar Kendra, the clandestine radio station broadcast to revolutionaries and the Bengali public during the Bangladesh Liberation War.[13] Some of these patriotic songs, such as "O Amar Bangladesher Mati" (written by Kazi Nazrul Islam), "O Amar Bangla Maa" (which was written by a Bangladeshi freedom fighter during the war), "Jonmo Amar Dhonno Holo Maa-go" and "Bangla Moder Bangla Maa Amra Tomar Koti Shontan" have significant representations of Mother Bengal. These patriotic songs are still immensely popular in modern-day Bangladesh.[13]

In art and literature

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See also

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References

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  1. ↑ Singh, Amritjit; Iyer, Nalini; Gairola, Rahul K. (2016). Revisiting India's Partition: New Essays on Memory, Culture, and Politics. Lexington Books. ISBN 9781498531054.
  2. ↑ Bose, Sugata; Jalal, Ayesha (1998). Modern South Asia: History, Culture, Political Economy (1st ed.). Psychology Press. p. 121. ISBN 978-0-415-16952-3.
  3. ↑ Gupta, Swarupa (2009). Notions of Nationhood in Bengal: Perspectives on Samaj, c. 1867-1905. BRILL. ISBN 9789047429586.
  4. ↑ Dasgupta, Tapati (1993). Social Thought of Rabindranath Tagore: A Historical Analysis. Abhinav Publications. ISBN 9788170173021.
  5. ↑ Paranjape, Makarand (2014). Science, Spirituality and the Modernization of India. Anthem Press. ISBN 9781843317760.
  6. ↑ "Symbols of Water and Woman on Selected Examples of Modern Bengali Literature in the Context of Mythological Tradition". Archived from the original on 12 December 2013. Retrieved 12 December 2013.
  7. ↑ L. M. Bhole, Essays on Gandhian Socio-Economics, Shipra Publications, Delhi, 2000. Chapter 14: "Savadesi: Meaning and Contemporary Relevance".
  8. ↑ "Swadeshi Movement: Timeline and Important facts that you must know". India Today. 7 August 2015. Archived from the original on 30 November 2018. Retrieved 7 August 2015.
  9. ↑ "Abanindranath Tagore Bharat Mata, Bengal School of Art, Rabindranath Tagore, & Facts Britannica". Encyclopædia Britannica. 3 August 2025.
  10. ↑ "Partition of Bengal Date, History, Curzon, Swadeshi Movement, Annulment, & Facts Britannica". Encyclopædia Britannica. 15 July 2025. Retrieved 5 September 2025.
  11. 1 2 "Partition of Bengal". Encyclopædia Britannica. Retrieved 18 August 2017.
  12. ↑ John R. McLane, "The Decision to Partition Bengal in 1905," Indian Economic and Social History Review, July 1965, 2#3, pp 221–237
  13. 1 2 Ahsan, Syed Badrul (1 December 2012). "1971 and the songs we sang". The Daily Star. Retrieved 13 December 2013.
  14. ↑ "Ami Takdum Takdum Bajai (Full Song & Lyrics) - S. D. Burman - Download or Listen Free - JioSaavn". 31 December 2002.
  15. ↑ "The Voice of the Bhati Regions of Bangladesh". The Daily Star. 28 October 2015.
  16. ↑ "Jagoroner Gaan - O Amar Bangla Ma Tor Songtext".
  17. ↑ "Alauddin Ali: The King of Melody". The Daily Star. 23 December 2015.