// Workers AI · dad joke modeWhat did Arti say to the flame? You're a-light to me.
 | This article needs more citations. (January 2023) |
_Aarti_Thali,_Prayer_Plate_India.jpg)
Arti (Hindi: आरती, romanized: Āratī) or Arartikya (Sanskrit: आरार्तिक्य, romanized: Ārārtikya)[1][2] is a Hindu ritual employed in worship, part of a puja, in which light from a flame (fuelled by camphor, ghee, or oil) is ritually waved in a clock-wise motion to venerate deities.[3][4][5] Arti also refers to the hymns sung in praise of the deity, when the light is being offered. Sikhs have Arti kirtan which involves only devotional singing; the Nihang order of Sikhs also use light for arti.[6]
Etymology and origin
[edit]Aarti is thought to have descended from Vedic fire rituals or yajna.[7] Aarati is derived from the Sanskrit word आरात्रिक (ārātrika) which means something that removes rātrī, "darkness".[8][9] A Marathi language reference says it is also known as Mahānīrāñjanā (Sanskrit: महानीराञ्जना).[10] The term arti can also mean "before night" or symbolic end of the night to the devotee's material state of being. The devotee is now in the light of God and tis devotion where the "night" cannot touch them.[11]
.jpg)
Practice
[edit]Arti ranges from simple acts of worship to extravagant rituals, but almost always includes a jyoti (flame or light). It is performed up to eight times daily, depending on the specific Hindu tradition and temple.[11] It is performed as part of most Hindu liturgies and occasions and typically involves circling a diya (lamp) clockwise before a murti or sacred image of a deity, accompanied by hymns.[12][8] After waving the lamp before the deity, it is brought to the devotee, who then briefly places both their palms above the sanctified flame to receive its warmth. The devotee then raises their hands in supplication, bringing both palms toward to their forehead in a gesture of self-purification and connection with the Divine.[12]
The diya (lamp) used for aarti is most often made of brass or other materials and holds a cotton wick soaked in camphor, ghee, or oil.[12][8] The arti plate may contain other offerings like flowers, incense, and akshata (rice).[13]
Significance
[edit]
| Part of a series on |
| Hinduism |
|---|
 |
Arti is an expression of many aspects including love, benevolence, gratitude, prayer, or desire depending on the reason it is performed. For example, it can be a form of respect when performed for elders, prayers when performed to deities, or hope when performed within the home. Emotions and prayers are often silent while doing arti, but this is determined by the person carrying out the ritual or the holiday involved. It's also believed that blessings can be taken through symbolic hand movements over the flame.[14]
Arti also represents one's self - thus, arti signifies that one is peripheral to godhead or divinity. A third commonly held understanding of the ritual is that arti serves as a reminder to stay vigilant so that the forces of material pleasures and desires cannot overcome the individual. Just as the lighted wick provides light and chases away darkness, the vigilance of an individual can keep away the influence of the material world.[11]
The purpose of arti is to wave light before the deity in a spirit of humility and gratitude, wherein the faithful become immersed in a God's divine form. The five elements are represented by all accoutrements used for arti:[11]
- Akasha(ether) - yak-tail fan represents ether and space
- Vayu(wind) - peackock fan repesnts the movement of air
- Agni(fire) - lamp or candle represents the heat of fire
- Jalam(water) - water and handkerchief represent the liquidity of water
- Prithvi(earth) - flowers represet the solidity of the Earth[11]
The first thing that the devotee offers is their heart and then any other accoutrements. The devotee may offer incense as well. The burning of the incense represents the purifying of the mind and so the offering of incense can be a symbolic gesture meant to represent the offering of a purified mind. Having to remember the timings, order of offerings, and other parts of the ritual exercise the intelligence of the devotee and so through the arti ritual one's intelligence is also offered to the diety. Through all these diifferent offerings one's "entire existence" is surrendered to God through the arti ceremony.[11]
Types of arti
[edit]
Hinduism has a long tradition of songs sung as an accompaniment to the ritual of arti. It primarily extols the virtues of the deity that the ritual is being offered to, and several sects have their own versions of the common arti songs that are often sung on chorus at various temples, during evening and morning artis. Sometimes they also contain snippets of information on the life of the deity.[citation needed]
The most commonly sung arti is that which is dedicated to all deities called Om Jai Jagdish Hare, known as "the universal arti". Other arti's are used for other deities as well such as Om Jai Shiv omkara, Om Jai Lakshmi mata, Om Jai Ambe gauri, Om Jai Adya Shakti, Om Jai Saraswati Mata, Om Jai Gange Mata, Om Jai Tulsi Mata and Om Jai Surya Bhagvaan. In Ganesha worship, the arti "Sukhakarta Dukhaharta" is popular in Maharashtra.[citation needed]
In Swaminarayan Mandirs, Jay Sadguru Swami is the arti that is sung. In most temples in India, arti is performed at least twice a day, after the ceremonial puja, which is the time when the largest number of devotees congregates.[citation needed]
In Pushtimarg Havelis, arti is performed by a sole mukhiyaji (priest) while "Haveli Sangit" (kirtan) is being sung. Devotees only watch the arti being done and do not get to take a major part in it. During bhajan or utsavs (festivals) celebrated at home, "Jai Jai Shree Yamuna" is sung while devotees perform arti. It is said that Sandhya arti is done to see if Lord Shrinathji had gotten hurt while playing outside because it is performed after sundown.[citation needed]
Durga puja
[edit]During the Bengali festival Durga puja ritual drummers – dhakis, carrying large leather-strung dhak's, show off their skills during ritual dance worships called arti or Dhunuchi dance.[15]
Across other traditions
[edit]Arti within Sikhism
[edit]In Sikhism, Gagan mai thaal is a type of arti recited by first guru, Guru Nanak[16] in either 1506[17] or 1508[18][19] at Jagannath Temple, Puri, during his Udaasi (journey) to the east of the Indian subcontinent.[17][18] Amritsar Sikhs sing Arti kirtan, which comprise a few shabads from Guru Nanak, Ravidas and other Bhagats and Gurus. According to them, it is the arti of divine wisdom in the form of the Guru Granth Sahib – Sikhism's eternal Guru and chief scripture. It is considered the equivalent of bowing on one's knees before the Guru Granth Sahib. This arti does not employ ritual items, but is instead sung after the daily recitation of the Rehraas Sahib and Ardās at Harmandir Sahib in Amritsar, and most Gurdwaras worldwide.[citation needed]
An exception is the Nihang order, whose members first recite Aarta (prayers derived from banis in the Dasam Granth and Sarbloh Granth – scriptures of secondary and tertiary importance in the faith), and as in Hindu practise, employ diya, flowers, conch shells, bells, incense during the ritual.[6] This form of Sikh arti is also recited at Patna Sahib and Hazur Sahib.[citation needed]
Arti within Jainism
[edit]The practice of waving lamps is similarly integrated into the Jain tradition. Within the Jain tradition, the dipak is waved in a temple in the morning and at night. The arti if offered at the end of all pujas.[20] Small amounts of sandalwood mixed with water, milk, and more water are offered on a plate after which the devotee recites the names of the 24 Tirthakaras and the namaskara mantra. The arti happens at the very end.[21]
See also
[edit]Notes
[edit]- ↑ Woodhead, Linda; Partridge, Christopher; Kawanami, Hiroko (2016-01-13). Religions in the Modern World: Traditions and Transformations. Routledge. p. 68. ISBN 978-1-317-43960-8.
- ↑ Monier-Williams, Sir Monier (2004). Brahmanism and Hinduism: Or Religious Thought and Life in Asia. Cosmo. p. 94. ISBN 978-81-7755-873-9.
- ↑ admin (2021-05-19). "Aarti । Why do we do Aarti?". Simple Hinduism. Retrieved 2023-11-09.
- ↑ Michaels, Axel (2004). Hinduism: Past and Present. Princeton University Press. p. 232. ISBN 978-0-691-08952-2.
- ↑ Flood, Gavin D. (1996-07-13). An Introduction to Hinduism. Cambridge University Press. p. 209. ISBN 978-0-521-43878-0.
- 1 2 "Aarti". 2023-08-25. Retrieved 2023-11-09.
- ↑ "– BAPS Shri Swaminarayan Mandir, London". Retrieved 2023-11-09.
- 1 2 3 James Lochtefeld, An illustrated Encyclopedia of Hinduism, ISBN 0-8239-2287-1, page 51
- ↑ Monier Williams Sanskrit Dictionary; Quote: ArAtrika n. the light (or the vessel containing it) which is waved at night before an icon; N. of this ceremony.
- ↑ "Page:Konkani Viswakosh Vol1.PDF/191 – Wikisource".
- 1 2 3 4 5 6 Rosen, Steven (2006). Essential Hinduism. Praeger Publishers. p. 196. ISBN 0-275-99006-0
- 1 2 3 Hawley, John Stratton (2006). The Life of Hinduism. University of California Press. pp. 39–40.
- ↑ Akshata: (Sanskrit) "Unbroken." Unmilled, uncooked rice, often mixed with turmeric, offered as a sacred substance during puja, or in blessings for individuals at weddings and other ceremonies.
- ↑ "'Rules and significance of Aarti". Indiatoday. Retrieved 2020-03-24.
- ↑ Gupta, Shobhna (2002). Dances of India. New Delhi: Har-Anand Publications Pvt Ltd. p. 71. ISBN 9788124108666.
- ↑ http://www.livehindustan.com/news/tayaarinews/tayaarinews/article1-story-67-67-199585.html गुरु नानक देव और उनके द्वारा प्रवर्तित मार्ग
- 1 2 "Orissa Review FEBRUARY MARCH 2012..." E-Magazine - Government of Orissa. Orissa Review.
- 1 2 "Home". 13 November 2013.
- ↑ "Untitled Document". sikh-heritage.co.uk. Retrieved 2024-04-01.
- ↑ Humphrey, Caroline (1984). "Some Aspects of the Jain Puja: The Idea of 'God' and the Symbolism of Offerings". Cambridge Anthropology. 9 (3): 13. ISSN 0305-7674.
- ↑ Humphrey 1984, p. 4.
External links
[edit]
Media related to Aarti at Wikimedia Commons
